In Search of Pure Colour: Pierre Bonnard 1867-1947

A Master Painter of Twentieth Century Modern Art, Joan Miro was at once both distinctly modern and a lover of history. Created with exclusive access to the Miro Museum in Barcelona, Spain, this film is a rich tapestry of art, history and personality, interweaving state-of-the-art High Definition Filming, Historic Newsreel Footage, a tour of his legendary studio and performance by La Claca Theater Group in costumes designed by Miro himself. In the film, we journey through the dazzling achievements of a master Modern Art painters and printmaker. This film covers the painters invention of the Grattage style and his adventures into Surrealism, Abstract and Modernist painting and Collages, reflecting the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from Cubism, influences from folkloric Catalan art, and Roman frescos from the churches

In this in-depth portrait of painter Édouard Manet, filmmaker Didier Baussy visits the milieus that fueled the vision of the celebrated artist -- hailed as the leader of the French impressionist movement -- whose works had a sweeping influence. Filmed throughout Spain and France, the rich retrospective traces the roots of such Manet essentials as Le déjeuner sur l'herbe and the controversial Olympia.

The opening of the Picasso-National Museum in Paris granted a unique chance for Didier Baussy to document the precious collection in the museum in 81-minutes of film. The museum shows paintings held back by Picasso himself which have been very valuable for his connection to the world and his memories. A sensitive Analysis of these pictures dominantly from the Guernica-phase, grant a deep insight into the history of this artist and man Picasso, a geographical location of the scenes and a glimpse of his sources of inspiration.

A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.

A documentary featuring musician Jordi Savall

Titian’s genius and significance in European art are undisputed. Trained at the Giovanni Bellini workshop and influenced by working together with Giorgione, he came to a masterly use of colour, light and shade. His oeuvre contains everything his times demanded: drama, carnal lust, religious fervour, mythology and portraits. Didier Baussy-Oulianoff takes us to the places where the renaissance artist devised his works and worked for the most influential courts.

Between 1917 and 1962, Pablo Picasso was involved in creating the designs for nine ballets including 'Parade', 'Pulcinella' and 'L'Apres-midi d'un Faune', in collaboration with such artists as Jean Cocteau, Erik Satie, Igor Stravinsky, Claude Debussy, Leonide Massine and Vaslav Nijinsky. Picasso, a native of Andalusia, also created the sets and costumes for the very Spanish ballet, 'Le Tricorne' ('The Three-Cornered Hat'). This release features the entire ballet along with a documentary which traces the story of Picasso's involvement with designs for ballet.

Voyages traces the development of the artist's brilliantly colored work, from his early canvases, images of dance and music, and odalisques to his cut-out pieces and chapel decorations. Filmmaker Didier Baussy draws on a wealth of paintings, archival footage, photographs, and extracts from Matisse's Notes of a Painter to capture the richness of the artist's legacy and the splendor of his achievements.

Like no other, Diego Velázquez inspired generations of European artists. His life and work are closely bound to the court of King Philip IV, who appointed him as court painter and on whose orders he travelled through Italy. Ambitious courtier that he was, the Spaniard was a master of observation and visual manipulation. Didier Baussy-Oulianoff showcases his epoch-making portraits and genre paintings that reveal Velázquez’s virtuosity in treating light, colour and sensuous characterisation. He also lifts Velázquez’s secret of painting that helped him become the “painter of painters”.

Troeller/Deffarge once asked a cabinet minister in South Yemen, why socialistic ideas were so readily acceptable in that part of the Arab world. He replied: “Because we have been communists for a thousand years! My mother was a Karmatian.” The Qaramitah, as the Karmatians are also known, had fascinated the reporter-team ever since their stay in Persia in 1950s.