Kim Heesun

Hwa-ja has been raising three daughters alone in Busan after her husband passed away. One day, the second daughter Hye-young comes back to Busan after having continuous setbacks in Seoul. While spending time with her mom, she accidently sees a letter written in Japanese, which triggers her curiosity. She starts to ask Hwa-ja about her past life and gets to know new stories of her mother that she had never heard of.

An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.

“What kind of person do you think former President Park Geunhye is?” Sohn Seokhee, a journalist, gives a clear and sharp answer that he “shares the common ideas that people in our country have.” That common idea has led millions to bring candles to the streets, correcting a thread of history that has gone awry, and gather a sense of hope among people. Candlelight Revolution portrays the voices of citizens from various generations, political figures of different parties, and the witnesses of an administration under improper influence. It is a documentary that identifies the genuine structure of politics and society by following how Park entered politics along with government records up until March 10.

Woman’s body bleeds regardless of her will. Through untold ages, this bleeding has been the symbol of secret, mystery, fervor and disavowal. The process of bleeding which has been taken care of with any absorbent materials, however, has undergone changes through critical moments of human history. NPR, the public channel in USA declared the year 2015 as ‘The Year of the Period,’ and ‘Free Bleeding Movement’ arose also in Korea. Numerous startup companies launched products for “New Bleeding.” Over a million viewers are visiting pages of sanitary-products-reviewing youtuber, and politicians start to talk about the blood. The walls of information collapse, and women choose their own way of “how to bleed.”

In 2007, fifteen-year-old Chaeyoung is diagnosed with anorexia and committed to a mental hospital. Feeling guilty, her mother, Sangok, tries to trace the source of her daughter’s illness but there is no way to know. Ten years later, the mother and daughter begin a conversation. Relying on Chaeyoung’s diary, drawings, and voice-over, the film explores the history of conflict and pain in mother-daughter relationships through three generations: grandmother, mother, and daughter.