Ano sora no hate ni hoshi wa matataku

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

Modern sex and thrill film about tattooed prostitute.

A man who hunts for women and sells them to bars and cabarets. This film depicts the lives of men and women who breathe the dark side of the city and live with a mysterious strength amidst vice. The fourth film in the Night Youth series by the duo Umemiya Tatsuo and Midori Mako.

Japanese drama film.

This film is strongly anti-war film. The film is based on the collection of writings by Japanese student soldiers who died during World War II. The film is located to Burma. It shows the everyday problems of soldiers in contrast of their ideas and the cynicism of their commanders. Soldiers are also victims of military bullying by their commanders.

Historical fiction about the aftermath of the atomic bombing of Hiroshima, Japan, on 6 August 1945, and its effects on various civilians, especially children, of that city.

A film about the construction of the Kasumigaseki Building, the first high-rise building in Japan.

The "Nighttime Youth Series" vividly depicts the lives of men and women consumed by lust and desire in the nighttime entertainment districts of a neon-lit metropolis. The first installment, "The Pimp," portrays the life of a yakuza who makes a living as a pimp, and Tatsuo Umemiya's portrayal of a womanizer who can manipulate women at will was a perfect fit and garnered much attention.

Suspense film based on Ryuji Hori's non-fiction book about the kidnapping and murder of 4-year-old Yoshinobu Murakoshi in 1963.

A human drama of crew and passengers on a special express train named “Sakura” from Tokyo to Nagasaki...

1948 Japanese drama film.

July 1945. War‑exhausted Japan groans under the heel of a brutal military regime. Young journalist Saeki struggles to cling to a fading sense of justice. Writer Yoshida slowly loses his convictions to the darkness of unquestioning orders. Kimiko, a young woman, bears the scars of cruelty from the cold‑hearted military police. Private Yamada has deserted the army. His wife, Ryōko, is branded a traitor's wife and relentlessly hunted. When Yamada finally reaches home, he finds his sick child Toshiko lying in bed. The military police drag him away in front of his family; a struggle ensues, and Yamada is shot dead before his wife's eyes. Hiroshima is annihilated by an atomic bomb. Rumors spread of a final decisive battle on the mainland. The people clutch bamboo spears with gaunt hands. Then August 15th arrives: Japan's defeat is laid bare before the stunned populace.

A luxury car was stolen near a certain nightclub in Akasaka, and the owner of the car was shot and killed. The investigation by detective Nagata, head of the Metropolitan Police Department's Investigation Headquarters, revealed that the perpetrator shot a silenced gun, and that a film camera was taken away from the car he abandoned. Furthermore, fluids left at the scene indicate that the perpetrator was a tuberculosis patient...

A robbery and murder occurred at a gas station facing the national highway at 1:00am. Detectives Nagata, head of the First Investigation Division, begins investigating. Two bullets were removed from the corpse of a staff member on duty at the station, and the last car to be refilled with gasoline, Sakura Taxi No. 5-E1044, appears on the line of investigation. The same night, a robbery murder case was discovered using the same US military gun that was used on the gas station victim.