Carta de Morazán

A young Spanish writer inherits a home in the Guatemalan rainforest, only to become wrapped up in a land war, touchy local politics... and murder.

The folkloric Dance of the 24 Devils sheds new light on the reality of Guatemala. The Devils reveal a strong antagonism, both contemporary and mythological: they've declared war on humanity and have set out "to capture all souls", while Death heralds the end of mankind! Combining lyricism, realism and irony, The Devil's Dream explores the soul of this paradoxical country. We discover not only the beauty of the landscape, the people and their creative imagination, but also the wretched conditions of life, the spectre of violence, and a pervasive sense of the absurd. Guatemala is a society split between native and non-native, rich and poor, civil and military. Native people pick cotton for two dollars a day, their children work for half that amount. Those who dare to protest risk their lives. In this documentary, the people tell the story in their own words.

Forbidden Stories of Pulgarcito is a film produced in 1980 by the FAPU, a mass organization of the National Resistance, one of the five organizations of the Farabundo Martí National Liberation Front, FMLN. The film was filmed in El Salvador in late 1979 and early 1980 and is a testimony of the daily struggle of the people against the military regime. The team of filmmakers coordinated by Paul Leduc collects the testimonies of the main actors in the conflict that led to a civil war that lasted 12 years, causing 75,000 dead and a million displaced, in a country of 5 million inhabitants. During those years, the United States sent a million dollars a day in aid to the Salvadoran army.

The tragic true story of Jean Charles de Menezes, the innocent Brazilian shot dead by British police in 2005 at the height of the London terrorist alerts.

Fernanda, a 19-year-old Brazilian trans woman, travels to Milan and becomes a sex worker to finance her sex change operation.

Two paths cross on a descent into Guatemala's past: that of Mateo Pablo, a Maya survivor of one of many massacres committed by local government troops, and Daniel Hernández-Salazar, a concerned Guatemalan artist and photographer. Together they travel to a remote site in the highlands where the community of Petanac once stood. The bones found there by archaeologists tell a mute story of agony.

Filmmaker Guillermo Escalon and composer Igor Gandarias are in residence at EMPAC to record the Hudson River journey of Beatriz Cortez’s sculpture Ilopango, the Volcano that Left, for a forthcoming film (2024). The sculpture will sail up the Hudson River by boat from its exhibition at Storm King Art Center to EMPAC for the opening of Shifting Center, where it will be installed for the duration of the exhibition. Shifting Center also features Escalon and Gandarias’ film Rapsodia.

An experimental short film about a day in the life of a barefoot boy who sells newspapers in San Salvador.

Filmed by Guillermo Escalón in July 1981, it shows daily life in territories under guerrilla control in the Francisco Sánchez Northeastern Front, Department of Morazán,

A documentary about Guatemalan volcanologist and filmmaker Alfredo MacKenney.

This film aims to describe the agony of a biology teacher who finds himself in a place of limits, at the edge of life and death. Set in the years just prior to El Salvador's civil war, years in which teachers were targeted and brutalized.

During the early 1970s, hundreds of peasants in a remote region of El Salvador began to emulate the early Christians, working the land together and building communities based on solidarity. By the late 1970s, thousands of peasants in northern Morazan organized to resist National Guard repression which often involved torture and executions. In 1980s, the military engaged in scorched earth operations against their villages, inaugurating a 12-year civil war. The Word in the Woods tells their stories. The film's protagonists must reflect upon their struggles in the light of current reality.

Alejandro Cotto, a pioneer of Salvadoran cinema, celebrates his 63rd birthday in Suchitoto while the youth celebrate the end of the civil war. He speaks with Escalón about the struggles faced by Third World filmmakers, the horrors of war, the fate of his village, and the pursuit of his dreams.

The central objective of the documentary is to show the social situation of the peasant communities in the department of Morazán. The documentary emphasizes military training and the development of war devices in the newly formed guerrilla camps.

Rodrigo Rey Rosa, a Guatemalan writer, depicts a dream about cells in trees in a short story. Years later, he discovers an internment camp in the jungle of his native Guatemala, a camp that embodies this unsettling idea, brought to life by a doctor.