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This is the story of a poet who lived at the time of the French Revolution. The poet's name was Andrea Chénier. He lived and died amongst love and bloodshed. The numerous words of truth spun by this revolutionary poet became poems for eternity. Even today, they continue to shine light on the hopes that rest in people's hearts. The tidal wave of the times, when everyone believes that the ideal kind of society has arrived, will in time move in the wrong direction. Ironically, Andrea and Maddalena will be joined together by a thing called love. Idealism, which has been pushed to the forefront of reality, is toying with Gérard's life. Before long, a raging torrent that provides an omen of the tragedy to come will overwhelm all three of them.

A musical about the life of F. Scott Fitzgerald. We begin on Dec. 21st, 1940, just moments before Scott dies. The main actor speaks to the audience, asking them what they think he was thinking of, what he was planning. Then he takes us back, for one last party before the end.

Based on the 2021 German musical Goethe!, which is based on the 2010 German film of the same title,

Takarazuka Moon Troupe 2019 production of the Takarazuka Revue adaptation of Anna Karenina.

Harvey Rockwood, a world-renowned botanist, comes across bad weather and finds himself enveloped by a dense fog. Under the blanket of the mist, he hears the sound of the wind, the calls of wild birds, and then a mysterious singing voice in a garden where he meets Elu, the Spirit of the Blue Rose. Elu informs Harvey that they shall meet once again in the mist...

An original, semi-modernized musical adaptation of Shakespeare's classic romance.

This is the story of the people who come from all over to this kingdom of dreams in order to obtain anything: success, wealth, glory, and love.

Takarazuka’s Evgeny Onegin – A Portrait of a Dandy is a musical adaptation of Pushkin’s novel. Presented in Takarazuka’s characteristic style with stylized staging and direction, it depicts the story as one of social disillusionment, personal conflict, and the consequences of hesitation.

In the realm of the dead, Luigi Lucheni is on trial for the assassination of Empress Elisabeth. The disembodied voice of the judge rings out, demanding to know why Lucheni killed her. Lucheni responds, in his own defense, that he was doing her a favor as Elisabeth and Death were lovers. He calls upon the ghosts of Elisabeth's family and friends to corroborate this statement. Death appears in their midst, a pale, androgynous, eternally youthful man who admits that he was in love with Elisabeth.

A show inspired by Antoine de Saint-Exupéry's "The Little Prince".

This is the story of a poet who lived at the time of the French Revolution. The poet's name was Andrea Chénier. He lived and died amongst love and bloodshed. The numerous words of truth spun by this revolutionary poet became poems for eternity. Even today, they continue to shine light on the hopes that rest in people's hearts.

Don Juan, a Milanese fashion brand, enjoys great popularity and women all over the world adore it. Granted that its elegant and sophisticated design wins the hearts of women, its success is primarily due to the attractiveness of its designer, Leo Visconti. He is of Italian noble blood and so gifted in art that while young he gained reputation and status. At the same time, he often offends because of his indiscreet way of womanizing.

Takarazuka Revue's stage play based on Mori Ougai's short story The Dancing Girl.

Inspired by Shakespeare's Othello. It is the summer of 1929. With the end of World War I well behind it, New York in America is lapping up the good times. Otto Goldstein has managed to achieve the American Dream, becoming the envy of all, in this city where people from a variety of countries and social classes come to seek their dreams, hopes and pleasures.

On the 10th anniversary of the assassination of the King, his reclusive widow, the Queen, arrives to spend the night at the castle of Krantz. Stanislas, a young anarchist poet who seeks to assassinate her, enters her room, wounded; he looks exactly like the dead king, and the Queen shelters him instead of handing him over to the police. She sees him as the welcome embodiment of her own death, calling him Azraël. An ambiguous love develops between them, uniting them in a bid to outwit the machinations of the court politicians, represented by the Comte de Foëhn, the chief of police, and Édith de Berg, the Queen's companion. In order to remain true to their ideals and to each other, the Queen and Stanislas have to play their parts in a bizarre private tragedy, which the world will never understand.