As Far As My Feet Will Carry Me

Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

During World War II, Captain Cassidy and his crew of submariners are ordered into Tokyo Bay on a secret mission. They are to gather information in advance of the planned bombing of Tokyo. Along the way, the crew learn about each other as they face the enemy and some of them lose their lives.

Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of attacks by the Japanese, something new is tried, Construction Battalions (CBs=Seabees). The new CBs have to both build and be ready to fight.

A bad Polish actor is just trying to make a living when Poland is invaded by the Germans in World War II. His wife has the habit of entertaining young Polish officers while he's on stage, which is also a source of depression to him. When one of her officers comes back on a Secret Mission, the actor takes charge and comes up with a plan for them to escape.

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

A young widow flees from Rome during WWII and takes her lonely twelve-year-old-daughter to her rural hometown but the horrors of war soon catch up with them.

On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?