The Island

1987: While the other students wonder if new kid Robin is a boy or a girl, Robin forges a complicated bond with the school bully, making increasingly dangerous choices to fit in.

Trevor tries to have his photo taken with his father.

Trevor provides a voice-over narration of Edmonton's High Level Bridge and drops his camera from the bridge in memory of those who have jumped.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

Trevor reflects on his fear of dating.

A musical documentary that tells the true life story of Trevor's great-uncle Jimmy in six original songs.

Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.

A dissatisfied bar waiter in a men's burlesque club is thrown back in time to relive a day from his childhood – in short-shorts.

A young transgender Indigenous musician and his rock band bring mumble punk to the Interstellar Rodeo. A rock ‘n’ roll survival story of a different stripe.

Neighborhood tour, car ride, improvisation and animation lessons, making-of, botanical contemplation, commentary on precarity in the arts… Eva Cvijanović and Trevor Anderson offer us quite a program in their playful and friendly correspondence.

A sugar rush of sex, politics, and rock 'n' roll, as seen through the eyes of a ten-year-old boy at the fair.