Um Nome Para o Que Sou

A Escolinha do Golias was a Brazilian television program presented and produced by SBT between 1990 and 1997. Returned to be displayed by SBT in 2007, in the schedule of the El Chavo.

Following international recognition of Fado, Portugal recently submitted to UNESCO the polyphonic songs of the Alentejo, known as Cante Alentejano, or just Cante, as an Intangible Cultural Heritage of Humanity. This film will be a journey into the hot Alentejo countryside (Southern region of Portugal) discovering Cante music and the life of its performers. Not many people outside Portugal know about these a capella polyphonic choirs, typically formed by 20 to 30 male agricultural workers or miners, that seem to express the deep voice of the Earth.

Documentary about the old people living in the highest floors of old buildings with no lifts, in Lisbon.

Documentary about the life of the lyric singer Natália de Andrade.

"The Lurking Fear" interviews Portuguese citizens whose lives where hit by the torture of its fascist political police.

The paths of pain are populated by men and women of all ages, suffering from lack of affection, lack of money, mental problems, alcoholism and drug addiction, or they are simply people who have come to Portugal in search of a life that is a little better. On the other side of this path there is a veritable anthill of volunteers, social welfare workers and different technical assistants who construct and maintain support structures, some of them thinking of better days, and others institutionalising this help without believing that the phenomenon can be cured.

Emilia is a writer, living in Lisbon in the year 1959. She is the “Damsel Warrior”, a fictional woman composed from the literary universes of Maria Judite de Carvalho and Irene Lisboa, writers of the city and the characters that inhabit it.

In greater Lisbon area, the name Cova da Moura has never been synonymous with well-being, education or prosperity. on the contrary, it has always been associated with the idea of violence, insecurity, danger or, at best, with lack of education and sheer poverty. Cova da Moura Island follows this neighbourhood's daily life, finding the cape verdean reflections in it and searching for the ways in which social exclusion is fought or perpetuated in the lives of its residents.

A hundred letters written by Portuguese women during the Salazar dictatorship were found by chance in a second-hand bookshop. By confronting today the women who wrote these letters with the ghosts of the past, and revealing important archive material, Letters to a Dictatorship takes us on an in-depth journey through the obscurantism that dominated Portugal for more than 50 years.

50 years after its beginning, it's still a delicate and hermetic subject today, based on an exclusively male speech, as if veterans were war's only owners and victims. When a country is at war though, is there anybody left out? Warriors is a generation's war movie, told by those who were left behind to wait, those who chose to be there and those who ran to rescue the soldiers from the battle's front lines. A female insight on war.

100,000 Portuguese young men left for war in the countrie's former colonies. In the same period, 100,000 fled the country so as to not be part of that war. What was the former's role in shaping Portugal?

What would you take with you if you had to leave home without knowing if you would come back? Between 1974 and 1976, nearly 300 thousand Portuguese had to leave Angola. More than 100 thousand were born there. This is the story of the incredible escapes from Angola by land, sea and air. And of everything that they didn't want to leave behind.

Documentary about the work and life of António Ole, one of the most notable contemporary artists from Angola.

A film that scrutinizes the idea of “soft racism” and how it comes to drink from the exalted Portuguese colonialism. The titular Rosinha is a Guinean native who became the symbol of the first Portuguese colonial exhibition presented by the Estado Novo in 1934. A trip to the past to better understand the present.

In Lisbon 1950, John, 13, decides to invade the neighborhood of prostitutes, nobility and sailors, starting a new stage in his life. Today this neighborhood is reflected in a scattered public debate centered on its night life.

One day, a woman appeared at the Vigilatório de Enfermidades Comuns e Ordinárias (Common and Ordinary Illnesses Clinic) complaining of itching. A strange mold had grown on her back...