The Madness of King George

Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

Ralph Fiennes leads the cast in David Hare’s blazing account of the most powerful man in New York, a master manipulator whose legacy changed the city forever. For forty uninterrupted years, Robert Moses exploited those in office through a mix of charm and intimidation. Motivated at first by a determination to improve the lives of New York City’s workers, he created parks, bridges and 627 miles of expressway to connect the people to the great outdoors. Faced with resistance by protest groups campaigning for a very different idea of what the city should become, will the weakness of democracy be exposed in the face of his charismatic conviction?

A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).

A new English adaptation of the classic French tragedy Phèdre by Jean Racine (1639-1699). It retells the ancient Greek tale of the wife of the Atenian King Theseus, who conceived a forbidden love for his son (by an earlier wife) Hyppolytus. All ends badly for all. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.

Widely celebrated as Alan Bennett's masterpieces, his multi-award-winning Talking Heads return to BBC One. Filmed during lockdown under social distancing guidelines, a new generation of Britain's finest actors star in 10 of Bennett's classic scripts, alongside two brand new Talking Heads penned by the acclaimed writer last year.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

The story of an unruly class of bright, funny history students at a Yorkshire grammar school in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master, a young and shrewd teacher hired to up their test scores, a grossly out-numbered history teacher, and a headmaster obsessed with results, the boys attempt to pass.

A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.

As World War I rages on, Dr Henry Guthrie takes over a British choral society that's lost most of its men to the army. The community soon discovers that the best response to the chaos of war is to make beautiful music together.

The true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years.