Waterbag

Reluctantly-married young Irish travellers Michael and Angela head north of the border at the behest of Angela’s father, to smuggle electrical equipment back to resell. Joining up with IRA man Clicky on the way, the ill-matched couple embark on an uneasy journey marked by blood and murder.

A group of unruly Irish stage actors refuse the orders of their British director as he orchestrates a dramatic retelling of Eibhlín Dubh Ní Chonaill’s eighteenth-century keen about the the life and death of Irish rebel Art Ó Laoghaire.

A police informant is found dead in a boarding-school situated near the border between Ulster and Eire. There are three suspects: the protestant school headmistress; Marley, an unfrocked missionary priest; and Benny, a seventeen-year-old criminal who has taken sanctuary in the school...

Based on the writings of David Chapman and Jimmy Brennan, Withdrawal is about Jimmy, a heroin user in a Dublin psychiatric hospital. His thoughts and observations dominate, his subjective voice-over speculating on the lives of his companions. Jimmy leaves the hospital, returning to the city to reconcile with his loved ones, but his withdrawal leads ultimately to a dead end.

Cinegael is an independent cinema set up by filmmaker Bob Quinn in the 1970's, in which his son, the director Robert Quinn, lived as a child. The film focuses on the contribution the cinema made to the cultural life of the community, but also to the Irish film industry itself, acting as a home for, and catalyst to, radical ideas and attitudes within the film industry at the time.

A group of Ballyfermot schoolboys attempt to rob an orchard in the more affluent, nearby suburb of Chapelizod.

Comerford’s signature sharp realism infuses this drama about Reefer, an ex-IRA man who picks up hitch-hiker Teresa, a pregnant woman trying to overcome a drug addiction. They head to the trawler where he lives with friends Spider and Badger, that operates between Galway and the Aran Islands. The makeshift family are forced to turn to crime to make a living.

Comerford's first digital short which evolved into an installation, is an audacious blur of ugliness and beauty. Drawing on found footage from personal archives, it outlines an encounter between a man and a woman in a stolen car.

Documentary about the Irish, dispelling the myth that they are all of pure Celtic heritage, but showing them as the mix of races they really are, and portraying the island not as the remote outpost of Europe most people think it is, but as a busy meeting place for seafaring traders of the Atlantic all through history.

In this pitch-black vaudeville of impotence and aggression, Emtigon tragicomically details a homeless old man's covert intrusion into the life of a young female social worker.