The Dead Are Not Silent

The goal of the American operation "Phoenix" in Vietnam was to destroy all the bases of the liberation struggle. K. Barton Osborn, a former "Phoenix" officer, who publicly disassociated himself from it, talks about his experiences as a CIA agent. They are confirmed by the statements of General Bui Van Nhu, the last chief of the South Vietnamese police

Weeks after the victory in Vietnam, first pictures of a new humanity are captured: old and sick people preparing for their future, children on their way to school.

The President Dr. Walter Becher, officially the spokesman for the Sudeten German Homeland Association, called out the old flags, as he does every year.

Documentary on physicist Max Steenbeck

The country is portrayed before and after the storm of the military to the government palace “La Moneda” when Salvador Allende is killed and the directors discover the implications of American companies that were involved in the political developments.

At the parliamentary elections that the Unidad Popular won, there were activities to overthrow Salvador Allende. By a white, supposedly clean coup, the rightwing powers of Chile tried unsuccessfully to gain a two thirds majority in the national congress. Months later, the armed, violent coup took place.

This documentary deals with the coup d'état of general Pinochet in Chile 1975 and its immediate aftermath: the harsh repression of left-wing intellectuals, artist and workers.

In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.

Le Quang Vinh, a revolutionary student leader, was arrested in Saigon in August 1961. A show trial and death sentence followed. World-wide protests altered it to “life imprisonment” on Con Son, the Devil’s Island. The humiliating “Tiger-Cages” and the methods of torture are shown.

Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.

Produced by DEFA and broadcast in four parts in 1968, this documentary series consists of extended interviews with ten United States Air Force and Navy pilots captured during bombing missions over North Vietnam. Filmed at Hỏa Lò Prison in Hanoi, the films focus on the pilots’ backgrounds, military service, and views on the bombing campaign and the war.

The epilogue to the film "The Laughing Man" (1966), which alternates between objectivity and anger, exposes the involvement of the West German mercenary Siegfried Müller in the war against the Congolese government Lumumba. In the sequel, new witnesses against Major Müller have their say, including a former school friend and a French paratrooper colonel. GDR lawyer Kaul reports on the status of the criminal proceedings against Müller, while the final images show the war criminal feeding the ducks in South Africa.

After becoming notorious world-wide for a bloody killing, Nguyen Ngoc Loan, former general and chief of the South Vietnamese police, moved to the United States and opened a restaurant outside of Washington, D.C. Contrasting images from these two phases of his life are intercut.

Short film about General Eduardo Cano, who after the military coup became director of the Chilean central bank in the Pinochet dictatorship. Cano withdraws money from the circulation, which were described by opposition parties with resistance piles. From the Chile cycle by Walter Heynowski and Gerhard Scheumann.

Heynowski and Scheumann infiltrate the ultra-right-wing Chilean organization Patria y Libertad

A few days after the GDR built the Berlin Wall, West German Chancellor Konrad Adenauer commented that this was "an infamous and brutal act against our brothers and sisters in the Zone." Director Walter Heynowski digs into this ubiquitous West German expression, using footage from West German newsreels and TV programs, and compares the life of "brothers and sisters" in East and West Germany. In this propagandistic documentary, the director juxtaposes images of class hierarchy and conflict in the West, with images of a flourishing East.