Absolut '94

Two frantic views of Roberto Taroni and Luisa Cividin’s private life in New York. The first faces a double window at night, with Cividin smoking and getting dressed while Taroni putters around; the second shows a studio-like wide room, a toilet and ironing board, with Taroni looking lost in some work while now Cividin putters around. – Olaf Möller

A free form film poem. Moving through inside and outside spaces Luisa Cividin unties a knot made with two curtains. Followed by Roberto Taroni smoking until he starts to turn around his axis, first in front of the window with the now re-tied curtains and then in slow motion seemingly in front of some stairs. A 70s enigma. – Olaf Möller

Doing the America thing: riding around in a car, looking out at the landscape (desert, trees and bushes, cities), observing the driver, enjoying the ride as a pure, almost primeval cinematic act. All bookended by phantom rides through the bright lights of Las Vegas. – Olaf Möller