Kaspar Hauser

Documentary that blends dramatized reconstructions, personal reminisces and newsreel footage to tell the story of the flight of German refugees through occupied France to Marseilles in 1940. In 1977 Ingemo Engström and Gerhard Theuring embark on a journey through France. They trace the escape route of the German emigration in France 1940/41, documenting the places, talking to witnesses, relating the temporal layers.

About Austrian-British psychoanalyst Melanie Klein, whose pioneering achievements mainly in the field of child psychology (The Psychoanalysis of the Child) and object relations theory. The action takes place in London in 1934, which sees twenty-five-year-old Melanie Klein mourning the death of her son Hans, who came to life in a mining accident. Your daughter Melitta interprets the incident as suicide and your mother as a culprit.

Interdisciplinary studies put into practice is a plane on which HaF's interests and mine coincide. Ideas of fictional research projects in films emerge very early on, or of film as research device, allowing people from different disciplines to come together and discover something, to pursue a line of thought, or just be adventurous. These ideas correspond to a tendency we both have of accumulating knowledge from different sciences, for example so as to bring exact sciences like medicine together with subjects which aren't directly aimed at application, such as religious studies or anthropology.

A film about an amour fou between a young doctor and a former teacher. She, daughter of German Jews who emigrated to France, returns to Germany one day: she escapes from her bourgeois life in France into the memory of her childhood.

A West Berlin doctor, married with a two-year-old child, leaves her husband to go to Munich to work in the birth clinic of a hospital. Her husband doesn’t know that she’s pregnant with their second child. Will she have to choose between motherhood and her career?

Shortly after her divorce, a doctor from Munich sets out on a trip. With a mute lover at the wheel of an old Mercedes 180, she visits female friends and talks to them about their circumstances and their idea of ideal love.

A film about the time of the blast furnaces – 1917–1933 – about the development of an industry, about perfect machinery which had to run itself to the point of its own destruction.

Johanna has fled Nazi Germany to visit a friend in Finland, and from there she continues on to her friend's family's estate. Once at the estate, Johanna passionately argues with her friend's pro-Nazi brother and at the same time, falls for the second, good-looking brother who shares her own anti-fascist feelings. The two are soon engaged in an active sexual relationship that continues as they travel north to an Arctic port.

A journalist collects information about prostitution. He stumbles upon an underground organization called Eden Boys and a serial killer.

Like the wife of King Arthur in the legend, the main character in Ginevra, actress Cecilia Linné, is a figure of inspiration torn between two worlds and two men. She gives up her “contract” with society and its entanglement of love, work and money.

Leave Me Alone is a film about America, as it appears in music about America and in pictures from America.