4 piani per Guido

Laura's face, in a moment of fleeting and eternal complicity.

Starting from intimate moments, three tales through images, apart in time and space, linked to tell a broader story.

An audiovisual journey at the discovery of their own family roots, between clash and superimposition, in a twine of imaginary and real witness.

Life slices, taken in their natural and unpredictable "flowing": Luca Ferro films the wife Laura, starting in that Spring of 1974.

The past faces the present, (and vice versa), mirroring in the evolution of the film medium, in the need to convey an as personal as shared family past.