Grace

The Northerners is a cycle of film essays with a focus on northern individualism. Each one of the three parts plays out in different places around the Kola Peninsula over one day. The story revolves around the everyday life of three people who share no formal ties. Igor, who belongs to a dynasty of pilots, is a polar aviation squad commander; Vasily is a tug master at Murmansk’s commercial port; Volodya is a woodcutter, leader of a logging guild. Like most of those living in the north of Russia, they came here for work, and though they weren’t initially planning on staying, they ended up staying forever.

From the Barents Sea, a chill wind seems to blow constantly across a semi-deserted town at the edge of the world. Nevertheless, a little community holds out here. In a flawlessly filmed portrait of this extraordinary place, the theme linking the residents is their determination to chart their own course. Bardak was a marine, but his garrison broke up and his comrades sought a better life elsewhere. He stayed behind among the many empty buildings that are slowly but surely being consumed by the elements. Meanwhile, Dima, a young poacher​, flouts as many rules as he can, but gives friendly directions to lost tourists and reads lovingly to his little daughter. Ferryman Alexander is locked in a silent generational battle with his teenage daughter Masha; her eyes are on the outside world. Further along, a little team of ships from the Second World War turns up, and a woman steadfastly runs a weather station.

To the aural accompaniment of sloshing mud and gurgling water, Russians soak themselves in the curative mud baths of a historic spa. It is October 2022, and the full-scale invasion in Ukraine has been underway for seven months. This place, however, seems completely unaffected. Before visitors can enjoy the benefits of being packed in mud, they have to deal with a complex jumble of prohibitions, stamps, voucher systems, and other bureaucratic hoops and hurdles.