Nicole Garcia, actrice-cinéaste

Cannes, le festival libre

The 1st Cannes Film Festival was held from September 20 to October 5. 1946. In this documentary, British actress Charlotte Rampling recounts the eventful beginnings of the film festival. In addition, Frédéric Chaudier and Frédéric Zamochnikoff have compiled unpublished contemporary documents from the family archive of Jean Zay, original footage from various eras of the festival, which is now considered the most important and fascinating film festival in the world.

[R]évolution sida

For the younger generations, there is not much more, as this cataclysmic pandemic disease revealed at the end of the seventies, has decimated nearly 30 million people in just thirty years. An oversight? No. A habit. The bad habit of living with it, of believing that treatments that still do not save, make this threat harmless. It is time to rekindle the memories.

Bourvil, un homme vrai

Belmondo, il était une fois le beau monde

A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.

Françoise Dorléac, une promesse

A portray of French actress Françoise Dorléac

Polanski, le travail à l'oeuvre

Annie Girardot selon son cœur

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.

Michel Serrault, un clown en liberté

Paul Verhoeven, en liberté

Simone Signoret, un chat est un chat

Symbiopsychotaxiplasm: Take One

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Never Sleep Again: The Elm Street Legacy

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.