Los terrenos

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.

Years after a civil war, Erasmo's must face violence once more: His foster mother was murdered. On his way to find the murderer he makes friends with the Jew Saul.

Thirty four year old Goyo, a former open water swimming champion, has been hiding out in the desert. Wrongly accused of doping in the Santa Fe-Coronda Marathon, a 57 kilometer river swim, he has abandoned his career and his dreams. Eight years later, Goyo returns to Santa Fe where the marathon will be held again to try to re-gain his title and clear his name. However, long buried emotions come back to haunt him. He meets Chino, a stubborn and disciplined pool swimmer, who tries hard to be selected for the national team, but fails. Identifying with Chino, Goyo asks him to be his guide on the boat that follows him during the marathon.

Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.

A suicidal young singer named Reni is about to get kicked out of her band when she meets a male gigolo, Andres, at an ATM after he picks her pocket. They begin an affair, and she decides to become a hooker so she can spend more time with her newfound love.

The complicated and bizarre story of Ana (Haien Qiu), a Chinese born in Argentina who is, unexpectedly, pursued by danger. She accidentally becomes involved in the affairs of the Chinese triads established in Argentina. To get rid of them she must flee to her hometown, but what is not known is that in the meadow, things have changed. The people have left and all she find are rabbits. But even the rabbits have changed; mutating into bloodthirsty carnivores.

I go through the photos I took during my travels between 1998 and 2008. One night, alone at home, I rearrange them as if putting together a photo album. Memory jumbles the dates, and I am merely a spectator to the images that appear: cities, encounters, anecdotes. I discover that the images are strikingly similar to one another, as if I were always taking the same photo.

We all like to go for a walk and so do our souls.