Cien años de perdón

Enrique is 37 years old, 12 years of living with his wife and two children. Sick with jealousy, he has just separated from his wife once more. Luis, 40 years old, has just finished a passionate relationship with a very hysterical TV journalist that he was madly in love with, and left him for another. One comes from the horror of jealousy and weariness, and the other from a passion that swept him away, and finally left him alone. As Enrique has nowhere to go, Luis invites him to live in his house, temporarily ...

Anyone involved in the world of basketball can be unaware of this. León Najnudel revolutionized the sport, both from a purely sporting perspective and at a contemporary level, as he was the one who understood that it should be a federal sport and created the National League. Everything that came from there in Argentine basketball was thanks to this man, who is portrayed here through testimonies from friends and acquaintances, with archival footage that explores the path taken by a passionate, courageous, and dreamy athlete who left us too soon.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

The solitary life of Santos, a hermit and mysterious fisherman, is altered when three young men arrive to open a hostel near his beach. In an apparent calm, everything is getting complicated. They wait, calculate and all arrive at the appointment of a duel in which everything can fly through the air.

Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.

A journey through the last 24 years of the Argentine basketball team through the stories of its three coaches: Julio Lamas, Rubén Magnano and Sergio Hernández. Far from being rivals, they knew how to assist each other by pursuing a common goal: to achieve the best for the team.

Lao and Olkar are physically the same, but they are not brothers. Neither of them knows about the existence of the other. Lao is a healer who lives in Patagonia and Olkar is a photographer who lives in the city of Buenos Aires. Lao is unable to heal Minervina. For the first time his powers fail. From the meeting between Lao and Olkar, a new idea appears to cure Minervina.

Documentary about the staging of the play De mal en peor, by Ricardo Bartís, an important Argentine playwright.