Pour Generation

In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.

You are free to choose, as long as you choose red or orange. A powerful pouring machine fills glasses with one of two selected colors. But one glass, a curious fellow with a spring in his step, has the tenacity to mix things up.

Tyrannical wine glasses participate in a sadistic game. The game is interrupted by a self-sacrificial rebellion. After the oppressors are vanquished, a new game is quickly reconstituted among the former victims. Another installment in the “POUR” Series, set in a metaphorical world of living wine glasses. This story explores a twisted game of power dynamics, where two masters dominate their smaller subjects. The only way to end the game is to force the masters to lose interest. An individual glass, number 95, accomplishes this by initiating a self-sacrificial protest, shattering his own head with his fist. This becomes contagious as the others see the results. They all smash their own heads happily and the game becomes impossible to play. Realizing this, the masters move on. Tyranny requires slaves.

A lineup of glasses joyfully share ideas, growing in scale after each exchange. But the jubilant cycle is halted by a stubborn jar whose head is already filled. Director’s notes: "Pour 939" is an animated cartoon that was initially drawn as an exercise in visualizing the close minded, and their role in halting a fulfilling exchange of ideas. This simple metaphor was never supposed to be a stand alone film, but the more time I spent drawing it, the more I thought it could hold it's own water (or wine). Interestingly, this short film has no real story, it's simply an illustration of an idea: The moment when people who freely share thoughts are confronted with a person who is closed up. I chose the number 939 because it felt very stubborn and limited to me.

After moving to a new town with her stressed-out parents and relentlessly popular little sister, Daria uses her acerbic wit and keen powers of observation to contend with the mind-numbingly ridiculous world of Lawndale High.

Downtown is an animated series on MTV on urban life, based on interviews with real people. The show follows a diverse and multiracial cast who live in New York City, and presents their everyday lives through quirky, humorous, and imaginative perspectives from the characters. It was created by Chris Prynoski, a former animator on Beavis and Butt-Head and produced by David McGrath. In 2000, Downtown was nominated for an Emmy in the category of outstanding animated program. Downtown faced a similar fate to many of MTV's other cartoons - it only lasted one season. The use of an original score rather than licensed music makes a sanctioned DVD release unlikely. Some of the show's staff have gone on to work on the action animated series Megas XLR, which uses the same quirky humor found in Downtown as well as the character Goat, reprised by Scott Rienecker.

Martin Scorsese in 1990 talks to T.J. English

In this animated film, an innocent greeting between two people is quickly transformed into a tangled struggle, illustrating the twists and turns of a love affair. Relationships are visceral attachments, often leading to one dominating and consuming the other, then moving on easily and heartlessly. This film is autobiographical, a visual metaphor of an experience I had in my youth with one of my first girlfriends, perhaps the first love of my life. We learn a lot from experiences like this.

Vintage interview tapes. New animations. The mission is simple: curate and transform journalists' unheard interviews with American icons. The future of journalism is remixing the past.

Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.

In a dystopian world populated by animated wine glasses, a timid character tries to escape an important rite of passage.

A lineup of glasses joyfully share ideas, growing in scale after each exchange. But the jubilant cycle is halted by a stubborn jar whose head is already filled. Director’s notes: "Pour 939" is an animated cartoon that was initially drawn as an exercise in visualizing the close minded, and their role in halting a fulfilling exchange of ideas. This simple metaphor was never supposed to be a stand alone film, but the more time I spent drawing it, the more I thought it could hold it's own water (or wine). Interestingly, this short film has no real story, it's simply an illustration of an idea: The moment when people who freely share thoughts are confronted with a person who is closed up. I chose the number 939 because it felt very stubborn and limited to me.

You are free to choose, as long as you choose red or orange. A powerful pouring machine fills glasses with one of two selected colors. But one glass, a curious fellow with a spring in his step, has the tenacity to mix things up.

Began as an audio experiment, 'Masks' illustrates modern exploitation, production and consumption in animated terms.

She tries to swipe her way to happiness, but after an exhaustive body count, she resorts to assembling her dream boy from left over parts. Welcome to the Meet Market!

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

Through an escalating series of torture, a possessed sock puppet embodies fear and willful self-destruction.

In this animated short film, a dystopian environment contains brittle glass characters, they are divided into two sides: the broken and the intact. The spirits that dwell within are either pure or rotten. The broken remain on their side, to waste away into shattered bits. But the shards have a healing property, a process exploited by an ambitious dark soul who desires to be whole, and part of a possessed, twisted, robotic tribe.

This 22nd edition comprises 10 films -- nine recent, along with one restored classic -- which deal with both the anxieties and hopes of a world faced with a seemingly endless series of existential crises. All are inventive, their tone ranges from the whimsical to the profound; their techniques, from stop-motion to hand-drawn to computer-aided.