Chão Bruto

O Velho, o Menino e o Burro

Meu Destino É Pecar

The miniseries tells the story of Leninha, who marries Paulo due to a financial agreement made by her father, Dílson. Her life changes when she meets her brother-in-law, Mauricio, during a trip to her husband's farm in the interior of Rio de Janeiro. The two fall in love and become lovers. Leninha then begins to experience a great conflict: social and moral rules impose on her the behavior of a good wife, faithful and companion, but her desire for Maurício speaks louder. Consuelo, mother of Paulo and Maurício, realizes what is happening and begins to antagonize her daughter-in-law. Upon discovering the betrayal, Paulo starts to hate his brother. At the end of the plot, Leninha decides to stay with her husband, and the couple happily announces that they will have a child. Mauricio despairs, but later recovers in Regina's arms.

O Gesto, a Festa, a Mensagem - Dois Mil Anos de Teatro

O Menino Arco-Íris

The Day of the Professionals

A 1976 crime film

Meu Pedacinho de Chão

Colonel Epaminondas is a retrograde and authoritarian man, who commands and dismantles the region. He declares war on Pedro Galvão, his main rival, when he donates part of his land – purchased from the colonel – for the construction of a church and a school. The arrival of professor Juliana, right at the beginning of the plot, changes the lives of the residents of the small village. Juliana takes over the school and ends up arousing the interest of Fernando, Epaminondas' son. Oblivious to the fights that drive the story are Pituca (Patrí and Serelepe (Aires Pinto). The friendship between the two children, however, does not please the colonel, who is always fighting with his daughter. 'Meu Pedacinho de Chão' was co-produced and shown simultaneously by Globo and TV Cultura in São Paulo.

Pé de Vento

Dead Gods

In 1889, a conflict arose between the decadent and ruined rural aristocracy following the liberation of slaves and a new class of wealthy individuals, comprised of entrepreneurs emerging from the republican industrial class, interested in free labor. In the city of Ouro Negro, in the interior of São Paulo state, the conservative, aristocratic, and monarchist Almeida Santos family, which traditionally dominated the region, began to lose ground to the Lobo Ferraz family, representing the nascent progressive and republican bourgeoisie.

Ambição

O Astro

Herculano Quintanilha, after a failed coup and escape from prison, becomes a magician. He meets Márcio, a conflicted heir, and begins to influence his powerful family.

Pão-Pão, Beijo-Beijo

To defend the humble Soró Sereno in a traffic accident, the mysterious Ciro Cerqueira, a bus driver, ends up getting involved with the traditional italian family of Mamma Vittoria Cantarelli, owner of a chain of canteens in which he starts to work as an executive, and is torn between the love of the matriarch's granddaughters, the responsible Luísa and the seductive Bruna, a woman who spares no effort to get what she wants.

Tarcísio & Glória

Lampião, King of the Badlands

The story of how a quarrel between families set poor farmer Virgulino Ferreira da Silva on the path to become Lampião, the greatest leader of the cangaceiros - bandits who roamed the Northeast of Brazil until the late 1930s.

The Given Word

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

O Caçador de Esmeraldas

The life of Fernão Dias, a 17th century Brazilian frontiersman known as "the Emerald Hunter".

Chão Bruto