Comrade Lady

Sheer brilliance. Billy Connolly's razor-sharp mixture of bewildered surrealism and ultra-perceptive observational comedy is showcased here. If you're not pained with laughter at the routines on football, swimming and cookbooks, something vital has been removed from your brain. Buy it - it's better therapy than the stuff you get in clinics.

Billy Connolly's World Tour of Australia is the second in a line of ‘world tours’ that follow comedian Billy Connolly on his various travels across the globe. Filmed in 1995, Connolly takes the viewer on a scenic and informative tour of Australia, intercut with scenes from his stand-up comedy act at various venues around the country. The tour takes in Sydney, Canberra, Melbourne, Adelaide, Perth, Darwin, Alice Springs and Fraser Island. On the way, Connolly also experiences and demonstrates several Australian customs, traditions, and attractions, including swimming with the dolphins in Perth, eating a pie floater in Adelaide, and several museums and galleries, most of which feature some form of Aboriginal art.

Filmed during Billy's record breaking twenty two night run at London's famous Hammersmith Apollo.

Billy Connolly, captured live on stage at London's Royal Albert Hall in July 1987, offering his own unusual views of (among others) Thatcher and Reagan, Linoleum, Tarantulas And Their Wily Ways and the Khyber Pass...

Comedy featuring interweaving stories of seven households caught up in a property chain on moving day, each one dependent on the other.

An American intelligence agent attempts to kidnap a top Nazi general.

In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.