Gudmundur Kamban

Various events of importance to the nation and to individual persons during the cold war and from about 1960 emerge as fragments of the memory of a little boy learning about life, about divorce, military occupation, the Beatles, little girls and death.

Dís, 23, is still to decide what to do with her life. Obsessed by the thought of being "abnormally normal", a mere photocopy of long lost original, she wanders from one odd job to another and tries out various cources at the University. A guiding light comes her way from an unexpected direction.

In 1940, when there are British forces in Iceland, a country boy goes to Reykjavik to work for the army and to find what became of his childhood sweetheart. He soon discovers that she's having an affair with a British soldier. Moreover, he starts to suspect that the soldier, instead of being an officer and a gentleman, is in fact a very peculiar kind of monster.

A seven-year-old boy is sent to a farm on a remote island, when his mother goes abroad. On the island the boy gets to know a twenty-year-old woman who seems willing to take on a mother's role. But the boy is reaching an age of sexual awareness and instead of regarding her as a mother figure; he falls obsessively in love with her.

A young student starts working as a night watchman in the Icelandic TV-house which is supposed to be haunted. Together with a make-up girl working there, he pretends to be a red-haired ghost. But what started out as a joke, soon becomes no laughing matter.

An adaptation of the Icelandic ghost story of "The Deacon of Dark River", set in 1970s France.

The Icelandic parliament has been presented with a bill which will allow the Institute for State Supervision to create a SuperCode Databank which will centralize all other databanks based on personal ID numbers; with this SuperCode the Institute can follow and monitor everyone’s behavior. Hannes, a middle-aged man who still lives with his aging mother, works at the Institute, and he is the originator of the idea. Hannes has already secretly started working on it on his computer, even though it is uncertain that Parliament will agree to it. Hannes is in love with Stefania, the new secretary in the Institute, and hopes to impress her with his “private” SuperCode Databank. But one day, Hannes’s computer, containing the databank, is stolen. Hannes is afraid of the consequences if it is discovered he has been working on the SuperCode illegally. He starts trying to catch the thief himself only to become a victim of the very systems he has believed in and worked so hard to strengthen.

Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.

A boy growing up in the country in the sixties is fascinated by card games and ancient poetry.

Megas (Magnus Þór Jónsson, 1945) occupies a central place in Iceland as a singer, songwriter and writer. Influenced by rock and roll and folk music, his work is also deeply rooted in classical Icelandic poetry. He has, in particular, had a lifelong interest in the Hymns of the Passion by Hallgrimur Petursson (1614-1674) whose baroque poetry holds a special place in Icelandic culture and is solemnly recited at the radio every Easter.