Familia Cantora, Los Pacheco

Negro is a dark film that portrays the light of its protagonist, Ortega, a meatpacking worker who finds in boxing the means to rebel against his boss's subservience. Ortega faces his last fight, the most important one, the one of honor, the one of life.

The life and work of Miguel Abuelo, the leader and singer of Los Abuelos De La Nada. His songs, poems and lesser known and unpublished photos are discovered along with his great successes. During a whole night, his son Gato Azul travels the city on a motorcycle. As the only heir, he collects photos and poems of his father in different parts of the city.

After having spent more than 25/30 years in music, six rockers, each in their own way, walk this winding and mysterious path of creation. How difficult it is for them to get out to work in the face of a changing system. The film tells his deepest thoughts about music. We see them at home, in small shows where only a few friends and a few fans attend. Also great shows, where the whole world applauds them. The film portrays the problem of being geniuses and how difficult it is to make a living from music while being authentic.

In the bohemian 1980s, a group of friends based in Paris decide to open a tango club, unknowing that from that little place tango would re-emerge around the world. The film recreates the mythical Trottoirs de Buenos Aires, where famous singers performed, such as Polaco Goyeneche, Rubén Juárez and Susana Rinaldi, under the tutelage of Julio Cortázar.