Do You Believe In Ghosts?: 30 Years of Ghostwatch

This feature-length big screen documentary tells the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

Explores the salacious career of mysterious British filmmaker and distributor David Hamilton-Grant, who was the only supplier to be sent to prison for releasing a "video nasty". Hamilton-Grant navigated loopholes in the law in the 70s in order to produce and screen smut in an extremely censorship restricted Britain. When the home video boom hit in the 80s he was one of the first to capitalize on the initially far less regulated format... but he would pay the price. Then things get really dark and strange.

The documentary tracks the origins of the found footage technique and how it transformed with technological changes throughout the last few decades.

SFX and make-up designers Dave and Lou Elsey talk candidly about their inspirations, the joy of their work and their hopes for the future

Horror bleeds into the 21st Century in an incisive documentary looking back at the late 1990s film industry on a global scale to find out what happened at the turn of the millennium to allow for the huge wealth of horror films flooding out from all corners of the globe. From SCREAM (1996), THE BLAIR WITCH PROJECT (1999) and FINAL DESTINATION (2000), to WRONG TURN (2003), HOSTEL (2005) and SAW (2004), with insight from Joe Lynch, Xavier Gens and Bill Malone who track the technology, the industry and the societal changes behind the next generation of horror films.

A documentary that gives a primer on yokai for Western audiences. Featuring Interviews with experts Matt Alt, Zack Davisson, Kim Newman, Lynda E. Rucker, and Hiroko Yoda.

A brand new feature documentary about the incredible life and career of prolific film producer and director Charles Band.

How did a single ‘Big in Japan’ videotape change the course of global horror history? Find out in this insightful documentary charting the origins, evolution and diffusion across the world of a distinctive brand of Japanese supernatural chillers featuring vengeful ghosts manifesting themselves through contemporary technology against a backdrop of urban alienation and social decay. From Psychic Vision: Jaganrei (1988) and straight-to-video scary true stories to such key titles as Ring (1998), Pulse (2001) and The Grudge (2002), critics and filmmakers reflect on how the bleak Dystopian visions and unsettling atmospheres infiltrated their way into the world’s shocker consciousness.

Hisayasu Satô revisits the locations in Shinjuku where he shot Lustmord (Pleasure Kill), Re-Wind (Celluloid Nightmare), and Love Letter in the Sand (Pervert Ward: Torturing the White Uniform). From the Volume 1 set by Vinegar Syndrome.

An interview with critic Yoshiyuki Hayashida about Hisayasu Satô's films (bonus feature on the "The Films of Hisayasu Satô: Volume #3" Bluray set released by Vinegar Syndrome).

An interview with director Hisayasu Satô about "An Aria on Gazes" (bonus feature on the "An Aria on Gazes" Bluray released by Vinegar Syndrome).

An interview with Hisayasu Satô about "Turtle Vision" (bonus feature on the "The Films of Hisayasu Satô: Volume #3" Bluray set released by Vinegar Syndrome).

An interview with actress Kyôko Nakamura about her role in "An Aria on Gazes" (bonus feature on the "An Aria on Gazes" Bluray released by Vinegar Syndrome).

Hisayasu Satô revisits the locations in Shinjuku where he shot "An Aria on Gazes" and "Love - Zero = Infinity" (bonus feature on the "Love-Zero=Infinity" Bluray released by Vinegar Syndrome).

Matthew Holness, writer and star of cult television series Garth Marenghi's Darkplace, offers up an appreciation of Milano Calibro 9 and the Italian poliziotteschi sub-genre