Man Under Cover

Gudrun works in the American wheat country as a hired girl to Mrs. Hawes. Charley Holt, the son of a rich family, takes the Swedish girl to a dance where she is snubbed by his mother and sister. Furious by his elitist relatives, Charley marries Gudrun and gets a menial job as a mill worker.

Silk Stocking Sal is discovered burgling a palatial townhouse by its owner, Bob Cooper. Intrigued with her poise and daring, he offers to find her an honest job. She accepts his proposition and is hired by Cooper's importing firm to show antiques to prospective buyers. When Abner Bingham, Bob's partner, is found murdered after an argument with Bob, he is accused of the crime on circumstantial evidence and sentenced to die. To save Bob from the chair, Sal, who suspects Bull Reagen, a mobster, of the murder, goes to his apartment. She plants a microphone in the closet, gets Bull drunk, and, by accusing him of not having the killer instinct, taunts him into boasting of having killed Bingham. The conversation is overheard by the district attorney, who narrowly saves Bob from electrocution and then arrests Bull and his gang. Bob and Silk Stocking Sal are soon married.

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

A British estate agent travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves the agent and drives him to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

In Shanghai, an American girl who helps run an opium ring meets an American agent disguised as a mining engineer. The two fall in love, and she has to determine where her loyalties lie.

A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.

Respected Parisian banker Paul Lavond is framed for robbery and murder by crooked associates and sent to prison. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond, however, is consumed with hatred for those who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge.

Three sideshow performers form a conspiracy known as "The Unholy Three" - a ventriloquist, midget, and strongman working together to commit a series of robberies.

Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man crashes—and proceeds to swindle—American high society.

The abandoned Balfour House, the owner of which was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. This film was lost in the 1965 MGM vault fire; only a few stills exist.

Joe, a former sea captain whose wife died during the birth of their child at sea, is now a pockmarked, disreputable divekeeper in Singapore where he indulges in shady operations with Herrick, known as The Admiral. They ship for Mandalay, where Joe's daughter lives with a priest, Father James, and tends a curio shop, unaware that her father regularly sends money to Father James for her support. Although his daughter clearly finds him abhorrent, Joe determines to take her away until he learns that The Admiral has fallen in love with her and plans to marry her. He persuades Father James (actually his brother) not to perform the ceremony, and The Admiral is shanghaied by Joe's men. The girl, suspecting Joe, goes to his brothel in Singapore and is about to be assaulted by Charlie, a lecherous Chinaman, when Joe intervenes and is stabbed. The Admiral comes to her rescue and escapes with her on a boat.

Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampire assault. The victim's friend, Baron Otto, and the physician who analyzes the body, are certain that the vampire is the mysterious Count Mora or his daughter. Receiving little help from the law, Professor Zelen, an expert in the occult, is called in to assist with their investigation.

Cock Robin is the swaggering ballyhoo man of a Hungarian sideshow known as the Palace of Illusions. The highlight of the show is a reenactment of Salome's dance of the seven veils, replete with the beheading of Jokanaan. The performer portraying Salome is in love with Cock Robin. Jealous, sinister The Greek is determined to eliminate that competition.