Sendero

In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.

Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.

Born in a lonely wasteland, three characters live together: a man, a lame girl and an old man. An invisible premonition haunts the place and the characters who live in it. The man and the girl decide to leave; one of them stays: the old one. The characters flee to a place without a destination, a place that they themselves do not know what it is. The old man, alone, under those black hills, decides to make a resolution before that place and before himself.

Sibila, a young seamstress, developes a weird obsession for the act of pricking herself with needles and swallowing her own blood. Her paraphilia will increase, and will eventually turn into the key to her self discovery.

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.