Ma tu, mi vuoi bene?

Giulio is a widower, struggling to raise three sons, Marco, Rudi, and Mimmo, as best he can. He lives in Rome's working-class Garbatella neighborhood and runs a wine shop with his two brothers. Lucia, meanwhile, comes from Milan's middle-class background; she's divorced and trying to rebuild her life with her two daughters, Eva and Alice. The two meet by chance and recognize each other: they had a fling as teenagers, many years earlier. Yet first love is never forgotten, and so Giulio and Lucia find themselves together again. Their meeting, however, changes not only the lives of a man and a woman, but also those of two families as different as could be. Two families who find themselves living under the same roof without even having had the time to get to know each other well.

A young couple a few days before the wedding. She is caught by an identity crisis, gives up everything and finds refuge in a New Age community. Here she finds a real Guru who tries to enlighten her on her way to wisdom. He, in the meantime, will make all efforts to bring her back to him.

Umberto, Lucia and Corrado discover that their co-worker and friend Umberto is terminally ill, but they can't bring themselves to tell him. They decide instead to organize him an unforgettable holiday trip to the South.

Roman TV technicians Fabio and Enzo have been unable to find decent jobs. They decide to crack a safe at a jewelry in Milan. To get the layout of the store, they enlist a beautiful but unsophisticated young woman, Deborah. To find underground access to the store, they get help from a sewage worker. An obese trapeze artist is called for disarm the store alarms. The clever Mrs. Motta, old hotelier, is also involved. Will they succeed?

In the run-up to a song festival, all kinds of intrigues and pressures are unleashed behind the scenes: the script must be continually adapted depending on who momentarily prevails in the backroom maneuvers, with record companies, politicians and schemers of various calibers intent on fighting each other without holds barred to grab victory in advance. In the meantime, the organization is falling apart. Having recruited the almost complete Bagaglino cast, under the parody of Sanremo we see yet another rehash of "Champagne" or "Bucce di banana".

Gaetanos the destroyer of worlds and his army are willing to do anything to obtain the stone of power and become the undisputed rulers of the universe. The situation is critical and everything seems lost, the world superpowers don't know how to react and are asking for help from the only people who are able to reverse this situation: the Italians. Misfits, criminals, witches and cockroach men take up the call to arms and take to the field to do what we've always done best: solve problems with style.

Adriatic sun and sand set the scene for comic misunderstandings, particularly for a writer pursuing a publisher and a man willing to box for love.

On the Adriatic Riviera the destinies of a variety of characters cross. A piano player is the lover of a rich woman who wants him to become a killer, a call girl is looking for her true love, two workers want to marry two old billionaires.

A prostitute is brutally killed by the road side by a maniancal killer. Nearby a horror film is being produced but the director is worried that the script is too passé for a modern audience and so he plans to include a séance scene - he hires a real medium to carry out a ceremony with the cast and crew to help inspire the script but she is attacked by an evil spirit. Meanwhile members of the cast are being picked off one by one and police detective Walter is desperate to stop his girlfriend, the lead actress Jennifer, becoming the next victim...

Policewoman Anna Mari is forced to play a dangerous game with the title serial killer. If she loses, she witnesses the maniac's tortured victims having their throats cut in explicit close-up detail via webcam. She teams up with British cop John Brennan to find out the identity of the murderer.