Bizim Sokak

Kara Bayram is a poor farmer living in a Turkish village with his wife, 3 kids (4th on the way) and his old mother Irazca Ana. They live on their own until another villager, Haceli who is backed up by the Mukhtar (local administrator of the Village) starts to build a new house right in front of their's. Kara Bayram and Irazca Ana do not accept these uninvited neighboors from the first day and unwanted events start right away.

Years after a divorce divides their family in half, six siblings encounter each other by chance and try to get their parents back together.

To bid for his beloved's hand in marriage, poor villager Feyzo must come up with an enormous dowry to appease her father.

Memo returns from Germany to get married with his love but his fathers killer Sulo is being released from jail. As a village rule he has to get revenge for his fahter or he can not get married but he doesn't want to kill so they stage a fake death with Sulo and after that his luck runs out.

A young hapless couple's devotion for each other is tested through harsh times of war as they are forced to negate patriotism and dependability to their families and nations, for a length of a lifetime before during and after the war.

A group of women in a small village get organized against the macho men of the town.

In this film that wavers unsteadily between a comedy and a tragedy, Murtaza (Mujdat Gezen) is a deluded security guard whose fanatical reverence for "duty" verges on the psychotic. He is incapable of seeing himself for what he is -- and as a consequence he is often the unwitting and unknowing brunt of jokes. His wife and daughters are painfully aware of his shortcomings, but they generally suffer in silence. One of the daughters ends up working in the factory to help the family out financially, and when Murtaza finds her sleeping on the job one night he hits her so hard she eventually dies from the blow. Though that is not the end of it, by any means.

A victim of a forced marriage who has stabbed her husband finishes her sentence. When she is released from the prison she starts working at a factory under harsh conditions. Soon a poet falls for her, and gives her a new hope in love.

The comical story of Şaban, who came to Istanbul to earn his dowry and, by chance, became a famous folk singer known as Şaban Ballıses.

Sevtap and Adem, the postman in the neighborhood, are in love with each other. Sevtap remained single until the age of 30 because no one liked her, so she is still a virgin and has settled for Adem. However, there is someone who opposes this love, her older brother Latif, who was raised in German culture but can be described as a complete fool. One day, Sevtap and Adem send a telegram from Sevtap's father's mouth to convince him to accept the situation. After this telegram, wedding preparations begin. However, during this time, Latif returns permanently from Germany to Turkey, and the truth about the couple is revealed. Latif opposes the marriage at any cost, even if it means harming Adem. Later, despite his reservations, he accepts the marriage and fulfills Adem's every request.

The lovely Ayşe moves from her country village to Istanbul in the hope of becoming an actress. One day she meets Haşmet, a grumpy, world-weary street photographer. He takes it upon himself to cure Ayşe of what he sees as her blind optimism, but some of it begins to rub off on the old cynic.

Eser, who wants to talk to her husband while making a decision about the future of her daughter, decides to go to the island for this. On this occasion, a great reckoning begins between the couple, who come together again years later.

While the dam project will be expropriated, Yellow poplar and Long poplar villages are included in the expropriation. Although this is supposed to protect the confidentiality, a member of the commission sells this information to a holding company and someone in that holding company sells what they heard to another holding company.

In "The Bride with the Black Veil" (1975), director Süreyya Duru continues to focus on social issues, exposing problems of the peasants and feodal relations.