Hammer Glamour

A short retrospective documentary looking at the making of the final Hammer Films production of the 1970s, "To the Devil a Daughter."

A 55-minute documentary, detailing the creation of Doctor Who, including a rare interview with creator Sydney Newman, and new interviews with producer Verity Lambert, directors Waris Hussein and Richard Martin, actors William Russell and Carole Ann Ford, title sequence designer Bernard Lodge, and TARDIS sound effect creator Brian Hodgson

Documentary that chronicles the making of the third film in Hammer's Dracula series.

The untold story of Hammer at Warner Bros, and the relationship that produced some of the British company's finest films.

Cast, crew and critics discuss the BBC's 2005 remake of 'The Quatermass Experiment'.

A retrospective of actor Philip Madoc's many roles as a Doctor Who villain.

A look at the First Doctor's comic strip adventures. Featuring interviews with artist Bill Mevin, comics historians Jeremy Bentham and John Ainsworth, and former Doctor Who Magazine editors Gary Russell and Alan Barnes.

Contemporary news coverage of the William Hartnell era is examined in this new documentary presented by Mary Tamm.

Documentary about actor André Morell.

Several key production personnel look at the making of K-9 and Company: A Girls Best Friend, plus K-9's subsequent life in books and comic strips is examined and explored.

A potted history of the many errant Gallifreyans to have appeared in the show.

Film historians and members of Hammer studios talk about the making of Dracula and it's influence on pop culture and modern vampire films.

Documentary on the making of the classic Hammer Horror picture.

Dennis Wheatley biographer Phil Baker provides a brief history of author nearly 80 book career, covers the whole of Wheatley’s contentious relationship with Hammer studios, including his displeasure with The Lost Continent (1968) and his utter loathing of To the Devil a Daughter (1976). The feature is a examination of one of horror fiction’s influential voices and paints a picture that informs both The Devil Rides Out and Hammer’s occult output in their latter years.