Remembering Every Night

A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness.

There are two worlds in this house. One where a mother and daughter reside, and another where two women reside. The two worlds begin to cross, gradually disrupting the lives of those involved. What will happen when everything connects?

The film consists of five films about Yamato in the post-COVID period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.

A lake sits beside a quiet town in the mountains. There is a new, big bridge scheduled to open. Yumi feels trapped in her routined life with her husband, after Yo, her daughter, married and moved out. Kazuko, Yumi's mother begins to sort her things as she senses her time is coming. Meanwhile, Yo is frustrated as she starts to recieve less job offers, struggling to cope with the reality against her expectations. The family will take the lead in the bridge's crossing ceremony with their secrets hidden deep within.

The filmmaker’s own paternal and maternal grandmothers’ stories are compiled into texts and read aloud by two women. This film ventures to convey the memories of two grandmothers from two different families, through the bodies of others.