✧Ⓑ☠☻Ⓛ♡Ⓞ✇☟Ⓞ☁☽Ⓓ✰ ⓜⓐⓣⓔⓡⓘⓐⓛⓢ✦

Audiovisual material gathered by filmmaker Fox Maxy over a decade, including documentary footage, television clips, and animation—sometimes layered on top of one another—are presented as one collage. Amid this sensory barrage, themes of sexual violence, community, confidence and joy are explored.

What does it mean to come from somewhere? This film focuses on California’s Native core.

This film is a reaction to colonialism & quarantine. It's made from multiple perspectives and experiences, pieced together by an indigenous voice. It's nontraditional storytelling. There are various qualities of footage: lo-fi camcorders, iPhone, archival images and screen recordings. The content is based on a question of how to keep our communities safe.

An embodied rumination of both male and female power, healing and haunting, all within an apocalyptic world. A transformation that courses through unknown terror to untamed collective joy.

A bad day for Willow only gets worse, like the weather.

An ode to the memories of El Aliso, the sycamore tree that once stood at the center of Yaangna, the Indigenous Gabrieleno village that Los Angeles grew out from. All elements sourced in the film are from the original site and the nearby Los Angeles River.

Fox Maxy’s maximalist F1ghting Looks Different 2 Me Now reflects on their familial Mesa Grande Band of Mission Indians and an intra-tribal land dispute by way of video games, pop music, and an evocatively-named red paint.