Ingresso animali vivi

A grandiose transoceanic cruise liner sails the seas.

Presented in the form of a series of fictional letters sent from Nina Kurtela to Aki Kaurismäki read against a backdrop of atmospheric exterior shots, Dear Aki is an experimental visual-narrative essay on the nature of identity, nationality and belonging in the globalized world.

Through an opening between reality and subtle forms of poetry, surreal scenes and disturbing paradoxes reveal infinite loops of existence. An attempt to capture the schizophrenic beauty of human existence, in which rationality is merely a subjective anomaly at the edges of consciousness. A film that rather than giving answers is inspired by questions.

The water reached up to our necks, and very soon, over our heads. The mountains became islands and the islands became hills in the darkness of the deep. The palms became sea anemones and the sea anemones remained what they were. The Wall Street was still full of sharks. Venice floated a while longer, and then… If a global catastrophe is a state of mind, then music is the raft.

Neda relocates from Croatia to New York City seeking financial and emotional stability. While navigating her new life in the metropolis, she maintains a complicated, distant relationship with her father, Jadranko, back home through late-night online chats. During these nocturnal browsing sessions, Neda stumbles upon a forgotten digital archive belonging to a 1990s cyberfeminist collective known as the Electronic Witches. The group—originally formed by activists during the Yugoslav Wars to teach women and queer individuals how to use early electronic bulletin boards (BBS networks) to bypass state censorship—quickly becomes an obsession for her. As Neda digs deeper into the virtual archive, her digital investigation spills into the physical world. Her quest to uncover the legacy of these wartime digital pioneers transforms into a personal journey of self-discovery, exploring themes of isolation, digital intimacy, and queer resilience without falling into tragic tropes.

In the “White Horse” café, waitress and guests apathetically go through their routines. Meanwhile, the reality surrounding them seems to destabilise more and more: between white noise and the sound of tuning forks, between daydreams of galloping knights and ever-growing mountains of drizzling packet sugar. Ivana Bošniak Volda and Thomas Johnson Volda pile up layers of these images and sounds, until they crack – and clear the way to breathe.

During the 90's, Croatia suffered systematic destruction of its anti-fascist monuments. By combining the images of these impressive works of abstract sculpture with the potent nature surrounding them, Monument creates powerful visual metaphors.

Documentary about homophobia and facism in Serbia. A two screen film.

Striking black-and-white animation traces the expansion of creatures from land, sea, and air. A film premiering at Klik Animated Film Festival.

A father takes his son to an abandoned factory where he once worked. The building has long been reduced to a crumbling symbol of the new system. Nonetheless, the space will briefly be brought to life by recorded scenes of workers solidarity, inspiring a small gesture of defiance. That symbolic act will turn into a moment of catharsis and re-establish the relationship between the father and son.