Die drei Federn

The body of a Turkish film student is found in the Wittelsbach fountain in Munich. Apparently Ömer Özkan drowned, but not in the fountain water, but in the beer. His lungs are filled with beer from "Minga Bräu", a traditional Munich brewery that is allegedly being sold to Istanbul. A Turkish student drowned in Bavarian beer. A puzzling case for Inspector Pasha and his Migra. While Pius Leipold enters the beer milieu with great vigor, Zeki's investigative zeal is very subdued.

Princess Maleen loves Count Konrad, but her father, Lord Theodor, has other plans for her and locks her in a tower.

After turning away from her Turkish family, young Ayla works as a kindergarten teacher and enjoys the liberties of being single. When she meet photographer Ayhan, she ignores all qualms and falls head over heels in love with him. Then Hatice, the mother of one of the kindergarten kids, is desperately seeking Ayla′s help: Hatice is living in fear since she has decided to divorce her husband, thereby enraging her strict Muslim family. Ayla takes her and the kid in, only later realizing that Ayhan is one of Hatice′s brothers.

A Turkish man‘s body is found floating in the Isar. A case for the Migra Division headed by Zeki Demirbilek, AKA “Inspector Pascha”. On their first big case, the team quickly manages to get on the wrong side of Munich’s Doner King, Güzeloğlu, who’s about to marry off his daughter. Her future husband and father-in-law just arrived at their house in Munich for Kiz Isteme, a Turkish tradition, to establish the groom’s suitability, when Zeki and his team barge in.

Steyerl’s film traces the impact of an influx of transnational companies on the city dwellers of Berlin in post-reunification Germany. The effect of the changing economy and politics on the city and its inhabitants is echoed through their physical relocation to its outer edges. In 1990, squatters proclaim a socialist republic on the death strip. Eight years later, the new headquarters of Mercedes Benz are built in the same location. The film makes use of slow super-impositions to uncover a journey across changing architectural and cultural boundaries. "The Empty Centre" tries to give a voice and a history to those who continue to be marginalised by the simultaneous dismantling and reconstruction of the borders which they are trying to cross.

Strong Hans and Princess Sarah wants to find out why the source that is vital for their village has dried up.