The Seventh Shift

Maternité is a film about the fatigue of a mother of two small kids. The act of self-sacrifice for the sake of a child that absorbs all the time and leaves no space neither for consumption, nor for satisfactions or vanity, becomes a chance for a devoted woman in a state of the physical and emotional exhaustion to reach the transcendental state close to spiritual ecstasy. Lacking resources for a proper functioning, her organism starts disassociating information and enters into a seeming madness, when the brain is unable to control thought process as usual, and because of a total focus solely on a child, all the rest in the world ceases to be of any importance, freeing her from everything excessive and superfluous.

Short film about two shirts in love. The end of a relationship between two people doesn't mean the end of a relationship between their clothes.

"There's no work in Ukraine," said my father, appearing in my life when I was 18. He invited me to join him in the Czech Republic. His letters (2003–2007) about solitary life abroad embody a desire not to forget the period of transformation in Ukraine. The voice-over belongs to a person who doesn’t exist in reality, the better to correspond to a voice of a person who doesn’t exist in my life, but whose voice I hear when reading the letters addressed to someone who perhaps didn’t exist either.

Experimental animation created using the 1960s film archive. Story of one's life in short episodes. A car can also have a biography.

Searching for the real in the world of the virtual, motivated by an urge to exteriorize the feeling of loss and grief. 3D reconstruction of the kitchen of the film author's grandparents, where they had dinner together every Sunday and talked about death.

“Livemusic” is a video made in 2021 based on the archive filmed in Ukraine in 2007 in a polluted industrial town during the drum'n'bass concert. It is an audiovisual piece born from an attempt not to produce the new material but to rework, “recycle” the existing images and sound in order to re-use them with maximum economy of means, along with a minimum of waste, unlike the overproduction with which we are surrounded daily in all areas of life. "Livemusic" aims to imagine how the music of the future will sound, and what the world of the future will look like.

Based on miniDV archive shot in 2006 in a Ukrainian city of Lviv during the celebration of 750 years since its founding. The film speaks of herd instinct, mass behavior and crowd control and is constructed as a multi-screen centered on the idea of surveillance cameras, movement tracking and facial recognition of people who are gathering in places of historical memory urged by a need for entertainment, wanting to be among strangers and following them with no particular goal. A project about loss of liberty in the times when people are treated as objects for machine learning: everyone is a target and everything is recorded. It questions the possibility of perception of other humans as mysterious and unpredictable beings without calculating their emotions algorithmically but following senses and intuition.

The film is about the constraints faced by two women who are unable to release their repressed essence. Overcoming the uneasiness of communicating with a reserved and self-controlled woman, the main heroine is eager to share the intimate experience with her, ultimately coming to terms with one’s identity.

A documentary about time.

Cities in transformation: architecture, subway plans, telephone lines, tracks, squares, crossed by shadows. Two lovers attempt to reach each others through walls. Lines of poetry written on naked bodies. Post-rock. Highway lights in the dark.

A night ride on the Bohdanivska street in Lviv.

The film depicts rather carefree times in Ukraine and is set in 2005-2006, when people still enjoyed questionnaires and home parties instead of social networks, played in bands instead of founding startups, embraced their youth instead of going through horrors of war. That period of Ukraine’s history has not been represented much on screen and the resurrection of videos that documented life as it is with no staging shows human nature authentically barefaced.

Documentary about artist Mykhailo Dzyndra and his Museum of Modern Sculpture.

In a painful conversation, fifty-year-old Lilia speaks of her mental trauma as a result of her parents’ constant disputes during her childhood, while her mother justifies the lack of love by the strict frames of a totalitarian society.