Cansei

Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.

Julia experiences a confused world seemingly against her after receiving a pessimistic tarot reading, as her feelings inevitably differ from her thoughts. Which way to go?

A reborn angel wanders through the city. Two boys meet on a bus and embark on a sexual journey. A constant flow where narratives converge, creating a kaleidoscope of post-pandemic youth.

Tiago and Letícia study in Curitiba, Brazil. Facing an uncertain future, the couple meets with friends to celebrate a birthday party. Meanwhile, they must make an important decision about their relationship.

A surrealist queer experience. Sweder, one day as he prepares to cut a fish, feels somehow touched by the commercial that is playing on TV about the consumption of animal flesh and violence, so he decides to adopt the fish and treat it like a son.

*Twink* is a sacrificial ephebe who insists on surviving as a symptom of cultural memory. Drawing on a queer reimagining of the myth of Eros and Psyche, the film maps the disguises through which twink iconography has infiltrated the history of the image.