The Glass Pane

An experiment and a homage, Bhavantarana is a spiritually intoxicating documentary about classical Odissi dance maestro Guru Kelucharan Mohapatra.

Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.

A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.

Bamboo Flute is Kumar Shahani’s cinematic tribute to the flute and its importance to Indian civilisation.

Mother Nature and human emotions are placed in this melding of myth and aesthetic enigma in Kumar Shahani's short film of 25 minutes starring Mita Vashisht, created as a diploma submission for the Film and Television Institute of India(FTII) by editor and film's co-star Nandini Bedi.

Sudhir - staying in a city without family roots - symbolizes the need for commitment in all young, sensitive and thinking individuals all over the world. The family is a fast-disintegrating social institution and Sudhir's Saturday night represents a true 'dolce vita' - without Fellini's irony, but sickly and sweet. The ridiculously elementary encounter with a mother prostitute as well as his final grandiose speech to the little runaway boy lose their power — and induce a facile fulfillment.