A Midsummer Night's Dream

David Cardew, a talented sculptor, lives an idyllic life in the English countryside with his wife, Laura, and their two children. But his happiness spoils as he becomes increasingly fixated on the idea that Laura is having an affair with a young cellist, Anton Falk. The three attend a fête where David watches Anton and Laura during a ballet about brutal and violent revenge - and his obsession begins to take an even darker turn....

German dancer Angela Kirsten rehearses and dances (from memory) Balanchine's choreography of "Ricercar" by Bach-Webern, in New York 1973 where Massimo Bacigalupo met her before she would become his wife and mother of his two children.

Christmas presentation of the CBS television series, Playhouse 90, featuring Tchaikovsky's ballet performed by the New York City Ballet, choreographed by George Balanchine, and conducted by Robert Irving.

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

Posing as the fabulously glamorous Countess Tanya Vronsky, a poor young ballet dancer and her two accomplices are really a team of skilled con artists! They mingle with Europe's high society, always looking for the next wealthy victim to fleece with their fake jewellery scam... Then Tanya meets the dashing young Paul Vernay. At first she wants to rob him. Then she decides she wants to marry him and to leave her criminal past behind her. Her accomplices agree but only if she'll join them in one last, big swindle...

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.

In 1960 CBS commissioned renowned composer Igor Stravinsky to compose a new ballet composition, Noah and the Flood, that would be adapted for a TV special. The ballet told the story of Noah and the Flood with symbolic references to other biblical narratives. The choreography was directed by George Balanchine and the ballet was performed by the New York City Ballet. An addition to the performance the TV special also included an overview of Stravinsky’s career and an exposition of the biblical context. The performance was aired on CBS in 1962 with Breck shampoo as the sponsor, as part of the Breck Golden Showcase series.

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.

Theseus, Duke of Athens, and Hippolyta, queen of the Amazons, become caught up in a domestic quarrel between the king of the elves and the queen of the fairies which results in the intervention of the mischievous Puck and his magic potion along with a troupe of amateur actors. The denouement is celebrated in the form of a grand virtuoso entertainment. One of George Balanchine’s rare narrative ballets, A Midsummer Night’s Dream is entering the Paris Opera Ballet’s repertoire. The sets and costumes for this production have been designed by another magician of the stage, Christian Lacroix.

Choreographed by an artistic genius, Shakespeare's comedy of magic and love's delusions set to the music of Felix Mendelssohn is a guaranteed audience pleaser. Pacific Northwest Ballet displays all the vitality, brilliance and versatility of its wonderful dancers in this award-winning production of Balanchine's first original full-length ballet.

This enchanting, evening-length ode to Shakespeare’s comedy features Maria Calegari (Titania), Ib Andersen (Oberon), and Jean-Pierre Frohlich (Puck). Set to music by Felix Mendelssohn, this ballet weaves a tale of love and magic in delightful fashion. Robert Irving conducts the New York City Ballet Orchestra.

Live 1978 performance of ABT principal dancers Gelsey Kirkland and Mikhail Baryshnikov dancing Balanchine's Theme and Variations choreographed to Orchestral Suite No. 3 by Pyotr Ilyich Tchaikovsky conducted for this performance by Akira Endo

Two of Balanchine’s most beloved ballets, Serenade and Orpheus, in this first release in VAI’s historic series featuring the New York City Ballet in Montreal. Beginning in 1954, NYCB’s Artistic Director and co-founder George Balanchine presented the company in performances produced for Radio-Canada, the Montreal division of Canadian Television. These live telecasts capture legendary dancers in core works of NYCB’s repertoire. Serenade stars Jacques d’Amboise, Diana Adams, and Patricia Wilde. Balanchine himself appears on screen to discuss Orpheus, which stars Nicholas Magallanes and Francisco Moncion dancing the roles they created in the 1948 premiere, and Violette Verdy as Eurydice.

Serenade is a milestone in the history of dance. It is the first original ballet George Balanchine created in America in 1934, and is one of the signature works of New York City Ballet’s repertory. In its present form there are four movements: “Sonatina,” “Waltz,” “Russian Dance,” and “Elegy.” The last two movements reverse the order of Tschaikovsky’s score, ending the ballet on a note of sadness.

George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.

Ballet of Serenade by George Balanchine, directed by Judy Kinberg 1990