Pinarak

Meirose strives to create heaven in her family, with her husband and their two children. One day, Ray, a man from her past, returns and wants to build his lost paradise with Meirose and Akbar.

Upon the death of his wife, Yohan keeps a coffin in his bedroom and insists on being left alone, leaving his children baffled by their father’s behavior.

Yati, a 45-year-old widow who is a big culinary enthusiast, wants to get a special menu made by her idol chef. However, on the way, the food delivery by the online motorcycle taxi service is intercepted by thugs, so Yati and her fellow widow friends have to unleash the power of tough moms to reclaim the special dishes they've been eagerly waiting for.

On their way back home after delivering Tumpeng (a cone-shaped serving of yellow rice accompanied by assorted side dishes), Arman told his mother that tomorrow he will filming a movie.

Bella invited her new boyfriend, Damar, to come to her room in a women-only boarding house for the first time. Many things happened on that day, privately.

I Swarnangkara was haunted by a monster. Despite his fear, he decided to face this monster once and for all.

After getting laid off from work, Bagas turns to squash sport to manage his emotions, invited by his friend who is also a former employee that had been laid off months ago. Bagas feels it's best to not tell the news to his girlfriend, Devi, while she is still in recovery from depression. Later that day, Devi accidentally finds out.

While clipping newspapers for her assignment, Ara finds out the truth about her father that her mother had hidden during the New Order era.

During her 28 years in Brazil, Bu Ipah has never stopped working. Initially arriving as a housewife with her migrant worker husband, she has spent the last 21 years as a mosque caretaker. During Ramadan, she is especially busy with food orders and iftar events. Despite her many duties, she cares for her youngest child, Totó, while balancing her roles as a mother, liaison to the ummah, and committee member for mosque social programs.

A young man who claims to work in an office job must accept the consequences when his lie is discovered by his father who visited him in Jakarta.

Stranded on an isolated road with a broken-down car, a girl reconnects with her father over a phone call.

Depicting the dynamics of a location that conventionally connects two points that are often crowded with people. Through the action of commotion, intimate conversations, and meeting new people, all of which are captured from one point of view and rolling without cuts.