The Last Fistful of Land

Two 20th-century friends accidentally stumble into the year 1492, where they meet a charming teen and try to alter history.

Tommaso goes incredible lengths to win back the love of his former girlfriend Cecilia, but sometimes things change in the most unexpected way.

Three episodes. In the first, Aurora lives in a luxurious apartment. Among some workers called to her house, she recognizes an old lover, who returns to courting her, but then empties her house. In the second, a boy released from reform school discovers that his mother is actually his father: a transvestite. In the third, a newsagent, suspecting her husband, who constantly pretends to be ill, is cheating on her, places a video camera in her room. She records his sexual encounters on a videotape that she sells at newsstands. In his directorial debut, Corsicato demonstrates a sharp and poetic talent (he was Almodovar's assistant) in creating three portraits of women that are also portraits of his city, Naples.

During a debate in Naples' town hall in the early 1980s, Pasquale Picone, a former steel-worker who has recently lost his job, sets himself on fire in front of the Municipal Council.

Ferruccio, who knows everything about camels, and Camillo, who acts as his manager, go to Milan to take part in a telequiz.

The impossible love between one prostitute, managing a bunch of handicapped prostitutes, and the homosexual Adamo. In the horrible suburb of Napoli we can follow among fantasy, mythology and reality the absurd life of the protagonists.

Filming took place in the fall of 1962 in various locations in Barbagia, Sardinia, but above all in Oliena, where the entire carasau bread processing cycle was filmed.