Who Gave You the License?

Sicilian bandit Salvatore Giuliano's bullet-riddled corpse is found facedown in a courtyard in Castelvetrano, a handgun and rifle by his side. Local and international press descend upon the scene, hoping to crack open the true story behind the death of this young man, who, at the age of twenty-seven, had already become Italy’s most wanted criminal and celebrated hero.

A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.

Prior to a city council election, the collapse of a building leaves a land developer and his political backers defending themselves against a scandal.

A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.

In this sword-and-sandal saga set on the steppes of Asia, Roland, leader of the Paladin troops, who must proves his mettle against the dreaded Saracen invaders, and withstand their evil plots

In the summer of 1942, during the Second World War, a group of young paratroopers from the Folgore Division, after having been subjected to a long and tiring training in Italy, was transported by air to the Libyan desert to cover the Italian-German front.

Andrea, a nice girl, move from Veneto (north of Italy) to Roma. She is employed as a nurse in a medical practice. She soon is involved in a never-ending game of misunderstanding, couples exchange, sexual seductions.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the queer community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Luke Barrett, having lost his memory due to an accident, does not realize that Dingus had killed his wife and brother to take possession of the Barretts' land and money. At first Luke trusts him, but while looking for his forgotten identity he discovers the truth.

Caught selling stolen guns, three Confederate soldiers get a reprieve from the firing squad, provided they go into Mexico on a mission to recover stolen gold belonging to the Confederacy.

Kitosch is charged with a crime he did not commit and joins up with Joshua Tracy, a vicious outlaw. When Tracy kidnaps and blackmails his former employer Kitosch redeems himself by saving them.

A rich Sicilian, Fefè Mottola, decides to call a wealthy girl graduate: Giovanna, who is about to become a teacher, because his son needs repetitions. The boy, named Franco, is shocked by the physical beauty of the teacher, and so to restrain himself decides to pose as gay. But the deception does not last long, because the sexual impulses of Alfredo explode.

The Sicilian Franco is a sort of imitation of Bruce Lee that Don Vito, a Chinese expelled from his country because he smuggled rice from Palermo to Beijing, tries to train in the art of kung-fu with disastrous results.

It is the story of the brilliant football player Cotechiño, hired by the Napoli team as a centre-forward. Too bad that his professional career will be strongly influenced by the frequent absence of his fiancée, for which he feels an inexplicable, almost obsessive jealousy. That's why he hires a plumber very similar to him to keep an eye on his beloved, but that won't be enough when Cotechiño is kidnapped.

Nadia is a social worker who is trying to keep the residents of a local slum in line. Unfortunately she keeps neglecting her work and fantasizing about a life as a pop-star. When she falls for one of the residents in question, a small time crook called Bel Ami, she ends up an accomplice in a convoluted heist involving a holy Catholic relic.

The bandit Kriminal by pure chance finds a fragment of a map in an old porcelain statue indicating the location of two precious paintings hidden by a notorious outlaw before he was executed. Kriminal immediately begins searching for the three other statuettes, similar to the one in their possession, containing the fragments needed to complete the map .