Mrs. Mad Mrs. Bitch Mrs. Man

The first film of Wang Yuchen's Shanghai Trilogy.

One year after Shanghai's lockdown lifts, Zhang Zhilü returns to his rural hometown of Quejiao Town to work as a driver. What begins as a quiet town reunion with old friends and new acquaintances slowly reveals something more unsettling: a town haunted by silence, where every resident - Zhilü included - seems to be concealing a shared, unspoken unease.

A desperate man, who is down and out, says that a group of people following him is trying to give the sleepy city a shot in the arm by planting a flower of idealism out of the ruins. And with the purpose of "if there's no enough vitality, use desperate strength to gather together", they begin to look for service/preaching targets. At the same time, there's an elder sister who has locked her younger brother in the home for a long time, the younger brother got the chance to the outside world accidentally however.

The C-list TV actor Jonnie Zhang decides to change career as an estate agent. While preparing for the interview, he hires a cleaner to tidy up his long non-visited mansion. A cleaner receives a task to a vacant house, and she decides to stay over night realizing that the bus service has been suspended. Out of every clue hidden in the house, she fantasizes its whole family and secrets, along with her own previous life she comes across.

An orphan mutters his personal history in The Good Place. He is getting louder and louder because he doesn’t want his history to be locked in the small dark room forever just as his body has suffered. Little Bunny is who he says the most intimate person in his life. It turns out he and Little Bunny share the same history.

Love by the garbage dump. A confused wife wants to confront her husband’s first love. A confused husband wants to find his first love. Indulge upon meeting, separate upon clapping hands.

After witnessing the sudden death of a student in a classroom, a cowardly young teacher will face a whole classroom of students who have not yet died suddenly, as well as his own indistinguishable past, in which he exhibits his "name view" in preaching and self-doubt, and a class will pass.

Another 21st-century instance of disappearance, an atypical road movie. A gritty journey through youth, a gay couple’s journey home, and a suicide trip.

The epilogue of a young and 'blind' Shanghai trilogy. From the edge of the harbor in the first film to the international ruins in the second, the claws of blind flow finally reached downtown. This is a stiff and refreshin music video. A couple misfits in Shanghai, a clown who doesn't wear makeup on stage and a mop-up plan soon will be failed.

This film used a cinematic selfie to satirize the society's almost faulted view of sex and chaotic view of art. Art as a concept can be stolen, as a means can be stolen, art becomes obscene. On the one hand, people have never seen a masturbator and on the other hand, people are lining up to yell "husband fuck me." This image does not attempt to solve, only excerpts.