The Pendant

After a painful break-up, Amsterdam-based researcher Noa is in mourning. She keeps dreaming about meeting her ex-lover Anna in the dunes by the sea, and about a mysterious glass hammer. When Noa tries to uncover the meaning of this object, she meets Saffron, a fellow lover of literature, poetry and theoretical research.

A reflection on the predicament of confinement within the domestic environment, stemming from found correspondence of a woman, dating between 1975 and 1980. Through shared points of reference and the embodiment of the above-mentioned state, the process of this work became an intergenerational dialogue with the stranger character. However, in Arrival, the narrative departs from the archived and imagines rather than a state of paralysis, the discontinuation of a cycle. Upon the character’s decision to leave her home and embark on a journey to an archipelago nearby, the island of her destination sucks her in as she merges into the wind.

Southern Bypass is a road south of Nairobi in Kenya that leads into the heart of the city; This single take shot was filmed from 5.49 am to 6 am heading in the direction of the sunrise. The motorbike rider is a boda boda, a motorcycle taxi service. Where they came from and where they are going is incidental to their state of being; they are still and the world around them moves.