Love Lies

Love Lies

1931 · 70 min · ★ 7.0 · Comedy

Love Lies is a 1932 British musical comedy film directed by Lupino Lane and starring Stanley Lupino, Dorothy Boyd and Jack Hobbs. It was made by British International Pictures at Elstree Studios. It was based on Stanley Lupino's own hit 1929 stage musical.

Directed by Lupino Lane · Written by Stanley Lupino

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Love Lies

His Private Life

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Naughty BoyNaughty Boy · 1927
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This is a real corker. It starts off with a terrific routine with an erratic elevator. Lane's character, Johnny Jones, upon sight falls in love with Mary Craig (played by Kathryn McGuire who appears in a number of Lane comedies). The man who hopes to marry her is Henry Sharp played by Wallace Lupino; the title card introducing this character says" Henry Sharp – so mean he would steal a dead fly from a blind spider." Johnny agrees to do his father a favor by posing as his little boy of about 10 years old. The father had told the wealthy widow he hopes to marry that he was only 30 years old. Because of Lane's small stature this is more believable than most comedy routines that have an adult playing a child.
His Private LifeHis Private Life · 1928
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Story of a Frenchman who seduces women all over Paris, but he meets his match in a proper American tourist. He does everything he can to seduce her, but he will only find romance when he does so on her terms!
Hello SailorHello Sailor · 1927
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Sailor Lupino Lane goes on shore leave with his messmate Wallace Lupino. Each has a girl in this port, but little do they suspect that the girls are twin sisters.
The Lambeth WalkThe Lambeth Walk · 1939
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Bill Snibson, a chancer from Lambeth Walk in South London, is informed that he has been discovered to be the long-lost heir to a title and castle which he can claim provided he is able to convince his new relations that he has enough aristocratic bearing. Things soon begin to go awry however, particularly when Sally, Bill's girlfriend from Lambeth, turns up.
The Innocents of ChicagoThe Innocents of Chicago · 1932
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Naïve young Englishman, Silas P. Binns inherits a substantial business in Chicago. Unaware of the city's reputation for rampant organized crime during the Prohibition era, Silas arrives in America with idealistic expectations. Upon his arrival, he finds himself inadvertently caught in the middle of a fierce and dangerous turf war between rival gangster factions. The humor of the film stems from Silas's "innocent" and oblivious nature as he navigates the violent underworld of Chicago, often mistaking life-threatening situations for ordinary business or social interactions.
A Friendly HusbandA Friendly Husband · 1923
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An amiable couple buy a trailer and start out on a camping vacation, only to be joined at the last minute by the wife's family. The husband remains friendly, even though all the work and few of the comforts are left to him. After many comic situations the husband rescues his wife from a western-style attack by a gang of bandits and receives a reward for their capture.
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A comedy film directed by Lupino Lane.
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An actor impersonates a duchess – with truly astonishing results for him and his company!
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His Private LifeHis Private Life · 1926
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Reggie Hemingway is a rich broker who continually bullies his valet. World War I breaks out and the valet enlists immediately. Reggie goes to the army later and arrives at the training camp to find that his valet is now a tough sergeant in charge of the recruits.
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The Dude and his younger brother, The Rival are at it once again.
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At a toy hospital, an apprentice deals with a trouble-making boy and his clueless mother. After they leave, he is forced to work late, falls asleep and dreams of a castle where the toys in the shop come to life.
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Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!
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The queen of mythical Sylvania marries a courtier, who finds his new life unsatisfying.
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As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

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