Los Xey: A Real Movie Story

Two Basque brothers and businessmen try to save their family heritage from imminent ruin. They believe they have found the solution in a quick deal: they will exchange the stock of elvers from their small local business for Cuban cigars bought in Cuba. But the charm of Cuban women and the greed of the self-styled businessmen threaten to disrupt everything.

Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

Two former seminarians meet by chance in adulthood: one has become a dealer, the other a terrorist.

Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.

Nur has moved to China from Larrabetegi with her parents. She makes new friends there and they go to a huge game park to celebrate her friends' birthdays. A friend gets separated from the group and Nur and her friends go out looking for them. But, on the way, they wander into a labyrinth and have all kinds of trials and tribulations before getting out.

Lur and Amets’ parents have to go to a wedding this weekend. For this reason, they leave the twins at Grandma Andere’s. However, it’s not going to be a conventional weekend thanks to her magic powers and her cat Baltaxar. They will set out on an unforgettable journey travelling to different eras and having new adventures throughout the history of the Basque Country. Although they are the main characters of every story, Andere and Baltaxar will help them. Unfortunately, two evil men will always be hot on their heels.

Manu fell in love with the pianist Stella Panini when he was a child and it's been his dream to meet her ever since. To achieve his dream he follows the advice of Stefano Salegi, a shady character who becomes his manager and forms a band. But, not just an energetic dreamer, Manu is an outsider with problems finding his place in society. That's clear by the instrument he's chosen —none other than the broom— that he uses to make music and carry the rhythm. That won't keep him from starting a band completely sui generis that breaks all the clichés.

Mugaldekoak is set in the early 40s, when, on this side of the border, the wounds of the Civil War were still open and, on the other, they were living under occupation by the German Army. The tale revolves around the Comète Network, an initiative developed during World War II on the border with Navarre: the clandestine evacuation of British pilots brought down in enemy territory.

Five directors portray five Basque political prisoners. A young woman counts the days remaining before she is arrested. A man returns to society after 17 years in prison. A mother records every phone conversation she had with her imprisoned daughter on 125 cassette tapes. An intellect and professor of journalism tries to find himself from the solitude of his cell. And a former ETA leader reconnects with a close friend from his youth, now a filmmaker. 'Windows Looking Inward' gives a brief insight into the lives of the people behind the bars, behind the events, behind the headlines.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

The tale of the project 'Yarn against sexist violence'. From the origins of the Harituz association in Astigarraga (Basque Country) and guided by its protagonists, it describes the meetings, stories, actions and voyages at home and abroad. In this project, knitting is the vehicle which unites very different women, who become knitters in the fight, and who stand up to sexist violence from sisterhood. The Yarn, an enormous collective bow in progress, which is already more than 6 km long, is a space of symbolisation, where every stretch represents a life taken by sexist violence.