After the Battle

A documentary which depicts the life of Bassem Samra and his friends and family. The film discusses issues concerning love and the veil.

Set in the summer of 1961 during President Nasser's land reforms, this is a story of the childhood friendship between Yasser, the son of a bourgeois landowner, and Leil, the son of an Egyptian peasant. When turbulent times tear Yasser's family apart, the boys team up for a money-making scheme that results in misadventures.

Assigned to investigate the revengeful murder of an unknown man, Adam begins to uncover the truth through torn photographs he finds at his house.

Upon his return to Alexandria, Khaled becomes intrigued with a graffiti mural opposite his apartment. As he pursues this further, a larger underground arts scene slowly reveals itself, composed of musicians, filmmakers, and graffiti artists. As they struggle to get their voices heard, Khaled is compelled to help them acquire some much deserved visibility.

An Arab anthology drama unfolding across six cities — Beirut, Cairo, Riyadh, Jeddah, Dubai, and El Gouna — weaving together separate stories about love in its many forms: right person, wrong time; wrong person, right time; love lost, love deferred. Featuring a stellar pan-Arab cast, each episode is a self-contained meditation on modern relationships and longing.

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

Youssef is a hotshot anesthesiologist who often sleeps in his car for privacy. Laila is the careerist host of a late night radio call-in show. These two members of Cairo's elite, lost souls traveling parallel paths of longing and disconnection, are the principal fish in Yousry Nasrallah's The Aquarium, a meditation on the intellectual capital of the Middle East, now bent under the sway of repression in all its forms.

Yehia runs a catering business with his sons, Ref’at and Galal; the former is engaged to marry Karima, who actually loves his brother and is trying to find a way to reveal her feelings for him; while he himself is in love with Shadia who just returned from the UAE, but fear the differences between them.

10 filmmakers provide 10 separate stories focusing on the 18 days of the 2011 Egyptian revolution. Ten stories they have experienced, heard, or imagined.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Yousry Nasrallah's powerful adaptation of Lebanese writer Elias Khoury's epic novel of fifty years of Palestinian dispossession, exile, and resistance. The film follows the flight of Younes, his wife Nahila, and those around them, from their village in northern Palestine to a refugee camp in Lebanon. Some vow to continue the struggle, most simply struggle to survive. Unsparingly detailing the impact of the nakba (disaster) on Palestinian life and society and the refugees' often-contentious relationship with their reluctant Lebanese hosts, Gate of the Sun spans generations, mixing personal stories with historical events.

Heba is a TV presenter interested in broadcasting stories that touch on the everyday secret lives of women and the social injustices they face. Her frank style in broadcasting puts her husband's job and consequently her marriage in jeopardy.

After more than 20 years, Sue returns from Switzerland to her home country Egypt because her mother Fairouz is in a hospital bed. Sue ran away from the eccentric aristocrat as a young adult. Now she feels compelled to meet her again.

This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet and falls in love with two young Egyptian brothers, reflecting complex themes of colonial desire, affection, and personal connection.

Youssef Kamal lives on the outskirts of society, estranged from a world he once knew. Now, homeless and living out of his car in isolated areas, he confronts the consequences of his choices daily.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.