Rir Para Não Chorar

It follows Mariano Guerra as he returns to Argentina to testify against soldiers who tortured him during the dictatorship, focusing not on revenge but on his inner struggle with guilt, trauma, and the lasting psychological impact of violence kept largely off-screen.

A history of vendetta and redemption occurs in the vicinity of a road, when the trajectory of a young policeman from the Capital intersects with a sergeant.

In 2006, a group of three desperate misfits forms a strong emotional bond, especially increased when they decide to play a highly rewarding, but dangerous confidence game.

Strong and feminine, "Why don't you cry?" addresses the delicate topic of suicide. Jessica is very closed, Barbara is a time bomb. The two meet when, at the stage of the faculty of psychology, Jessica meets Barbara. The coexistence leads Jessica to question her empty and meaningless life.

A separated couple still share the same roof as a seemingly conventional family. The balance is broken with the arrival of the new ex-husband's girlfriend, highlighting the neuroses of the family's routine.

A long-time library employee is fired from the job he had held for many years. His world collapses, and he vows revenge.

Arthur is a narcissistic young director obsessed with his ambitious science fiction film, in which Platane, an evolved human, faces a conspiracy in a future where everything seems perfect. Miriam, an energetic producer and his best friend, tries to make the project happen, but Arthur sabotages everything and abandons the production. Years later, Miriam becomes a successful director, while Arthur never made his film. Too late, he realizes that what he really lost was her friendship.

A group of teenagers from the same school sees their lives change overnight. When one of them goes missing, they begin searching for her. They decide to look for her in the city park, where she was last seen, but as they push forward, they start to live a terrible nightmare.

Editor-in-chief of The Yesterday Gazette, Sérgio no longer separates reality from fiction. Meanwhile he tries to figure out weather he’s dreaming or just living in a crazy world, he must choose the newspaper's cover photo: a profile picture of a presidency candidate named Pig Bomb. In the midst of the fake news war, he sees himself as a representative of the Press. Little does he know that the raw material of his profession, truth, is already dead.

A sociopathic Nepalese man, a French couple in crisis, a manic Brazilian man, partying Paraguayans and touring African artists cross paths on one fateful day.

Julio, abandoned by his wife Emília during a couple therapy session, decides to hire the clumsy and underemployed friend Santana to spy on his wife in the therapy group she attends.