Nix

Nix

2013 · Animation

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Directed by Martin Arnold

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Whistle StopWhistle Stop · 2014
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2014
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"It had to be me."
CharonCharon · 2013
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2013
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American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.
Haunted HouseHaunted House · 2011
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Parts of Mickey Mouse floating in a Haunted House
Self ControlSelf Control · 2011
Self Control
2011
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Parts of a comic strip are animated.
Pièce touchéePièce touchée · 2026
Pièce touchée
2026
MovieDocumentary
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
PsychoPsycho · 1997
Psycho
1997
Movie
Martin Arnold's remake of the shower scene from Psycho. Made as a spot for the Viennale.
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color, sound, 2:14 loop, 2020
ElsewhereElsewhere · 2016
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color, sound, 3:00 loop, 2016
Soft PalateSoft Palate · 2011
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Body parts of a cartoon character.
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cel animation, repetition, and disappearance... color, sound, 5:20 loop, 2015
BlackoutBlackout · 2024
Blackout
2024
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The term “blackout” originally comes from the theater world and refers to an abrupt switching off of the spotlights, which was either used as a dramaturgical effect to emphasize a punchline or simply helped when arranging a scene or changing the scenery. It’s no surprise that it was later adapted for the spaces of the so-called “Lichtspiele” (in German, a synonym for movie theatre). What does it mean when the background is no longer visible? What does a background erasure mean compared to a free-form select of the foreground? And is there a complete erasure of the background at all, or are traces always left behind that can at least be guessed at? – M.A.
Shadow CutsShadow Cuts · 2010
Shadow Cuts
2010
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In a later group of short film loops such as Soft Palate (2010) and Whistle Stop (2014), Arnold seems to discover psychoanalytic underbellies in the most popular form of post-war family entertainment, animation, and its most iconic characters such as Mickey Mouse (using two of Mickey's shorts, one of them Mickey's Delayed Date), Tom And Jerry, Daffy Duck (Draftee Daffy) and Goofy (How To Play Golf).

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