ABBA Voyage

Massive Attack are one of the innovative frontrunners within the world of Electronica. Credited with creating the sound of trip-hop, Massive Attack continue to develop new sound worlds with each successive release. Massive Attack has just as dstinctive a vision when it comes to videos as they do for their music. "Eleven Promos" compiles eleven videos from the mind of Massive Attack including such memorable tracks as "Unfinished Sympathy," "Safe from Harm," "Protection," and "Angel." Video directors represented are: Michel Gondry, Jonathan Glazer and Wiz among others. Other tracklistings: Daydreaming; Be Thankful for What You've Got; Sly; Karmacoma; Risingson; Teardrop.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

What happens when a film maker follows one of the world's biggest bands on a year long world tour? What happens when the film maker is granted unique access to that band, is present for the ups and downs, the moments of greatness and the periods of the same interview in 10 different languages in as many days? What happens when that band is Oasis, traveling across 26 countries on their biggest world tour to date playing to a total of over 2 million people?

For 40 years Bruce Springsteen has influenced fans from all over. His songs defined more than a generation. This film gives the fans just as much time as The Boss himself, with never shown footage and live performances from his last tour.

A rebellious teenager, future Beatle John Lennon lives with his Aunt Mimi in working-class mid-1950s Liverpool, England. Mimi's husband suddenly dies, and John spies his mother Julia at the funeral. Despite Mimi's misgivings, John intends to have a real relationship with his mother. Julia introduces him to popular music and the banjo and, though a family conflict looms, young John is inspired to form his own band.

An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970s Britain.

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

Jo is chained down in a dead end supermarket job while all her friends are all out on their own separate adventures. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself.

After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.

Created by AnOther Magazine and Swarovski with artist and filmmaker Baillie Walsh, KM3D-1 is a pioneering collaboration bringing together fashion, art and film in glorious 3D. The original work was presented as an immersive video art installation at the renowned London gallery Haunch of Venison over London Fashion Week, September 2010. The film reunites Kate Moss and Baillie Walsh for the first time since their holographic film, which famously screened at the end of Alexander McQueen's autumn/winter 2006 show. Featuring a performance by Moss as a mythological goddess who shatters her self-image through an explosion of hundreds of tiny crystals, the film was shot using state-of-the-art Phantom cameras specially built for the project to create a beautiful 3D effect in super-slow motion.

First presented at Alexander McQueen's The Widows of Culloden (Fall 2006), Kate Moss dances slowly while wearing a long, billowing gown of white chiffon using the 19th‑century theatre technique, Pepper's ghost.