Der lange Kerl

In a coastal village a faulty street lantern lands on the rubbish yard. During a storm a fishermen's boat is in trouble. The big lighthouse has fallen asleep, but the street lantern saves the boat.

Inspired by the poem “Le Tank” by Pierre Jean Jouve, this film is a free interpretation of the first tank attack during the first World War.

On a November day a man deposits a flower garland for his old car at the junk yard. But the place appears to be a labyrinth in which he gets lost.

Soldier Nathan died during World War I. A strange collector imprisoned his shadow and gave him a new chance: a second life against 10000 captured shadows. It is love that guides him, as his purpose is to meet Sarah again, the woman he fell in love with before he died. But then he discovers that she's already in love with someone else, jealousy clouds his mind and pushes him towards a bitter decision, not without consequences.

An invading army destroys all color in a harmless town and brings it into a state of depression. Then a jester arrives.

Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?

An unknowing man rescues a rather aggressive and demanding harpy.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

A day in the life of an organ grinder, down on his luck, who wanders the streets of Paris, dreaming of what might be. He can't help but crank out the occasional false note, just often enough to enrage his listeners and discourage any donations. He dreams of playing a large pipe organ. The juke box drowns him out at a cocktail bar, a church organ drowns him out on a street, pinball machines drown him out at Luna Park. The city's neon lights and commercial posters overwhelm his small art. At the end of the day, he captures the tear of a calliope horse - his sole earnings for the day - which may prove magical.

A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

Nocturnal Butterflies is Servais' serene and melancholic homage to Belgian surrealist Paul Delvaux (1897-1994), whose architectural paintings serve as the basis for the mise-en-scène for the film, and whose opaquely gazed women represent the enigmatic, silent witnesses who guard the secrets of the eccentric artist's curious world of precisely rendered, hermetic construction.

In a world where people are easily indoctrinated by speech, a reporter wants to know what people think about the actual political situation?

Jason Goldframe, a film producer, is always the best and the first! It's his ambition to be the very first to achieve the inconceivable: making a 270mm film. Obsessed as he is, he even wants to be faster than his shadow. One evening he succeeds…

A farmer accidentally creates a self-procreating iron Pegasus.