KINK

Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.

When Jan is sent to a small town in rural Mecklenburg to report on the discovery of a poisonous Brazilian spider, he senses his chance to finally stand up to the editor with a good article. What's lurking in the shadows however is not a wild animal, but Jan's past.

A woman at the hotel bar observes a man who is molesting other women. She knows what he's thinking. She knows his fantasies. An incident in the elevator abruptly shifts his perception of masculinity.

When Max is caught by his father in a private moment, it has unexpected consequences for the family outing that follows. On the last summer day by the river, the fourteen-year-old is forced to rethink his understanding of masculinity.

Loitz is one of those former GDR towns that still suffer from the effects of German reunification. For a year "Infinite Place" looks behind the gray facade of the seemingly dying town and questions concepts of home and identity through the perspective of its old and new inhabitants. The town’s vacancy and people’s urge for self-realization create a fruitful look into the future.